Philosophy of Curatorial Practice, The: Between Work and World - Couverture souple

Spaid, Sue

9781350184015: Philosophy of Curatorial Practice, The: Between Work and World

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ISBN 10 : 1350184012 ISBN 13 : 9781350184015

Editeur : Bloomsbury Academic, 2022

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Focusing on the role of the audience in determining the meaning, value and relevance of an artwork, this book applies analytic perspectives to the practice of curating.

Les informations fournies dans la section � Synopsis � peuvent faire r�f�rence � une autre �dition de ce titre.

� propos de l?auteur

Sue Spaid is an Independent Scholar and Associate Editor of Aesthetic Investigations.

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

�diteur: Bloomsbury Academic
Date d'�dition: 2022
Langue: anglais
ISBN 10: 1350184012
ISBN 13: 9781350184015
Reliure: Broch�
Nombre de pages: 296
Coordonn�es du fabricant: non disponible
Personne responsable: WordUnited GmbH
distribution@wordunited.com

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Philosophy of Curatorial Practice, The: Between Work and World

Spaid, Sue

Edit� par Bloomsbury Academic, 2022

ISBN 10 : 1350184012 ISBN 13 : 9781350184015

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The Philosophy of Curatorial Practice Between Work and World

Spaid, Sue

Edit� par Bloomsbury Academic, 2022

ISBN 10 : 1350184012 ISBN 13 : 9781350184015

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Philosophy of Curatorial Practice : Between Work and World

Spaid, Sue

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The Philosophy of Curatorial Practice

Sue Spaid

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Philosophy of Curatorial Practice : Between Work and World

Spaid, Sue

Edit� par Bloomsbury Academic, 2022

ISBN 10 : 1350184012 ISBN 13 : 9781350184015

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The Philosophy of Curatorial Practice

Sue Spaid

Edit� par Bloomsbury Publishing PLC, GB, 2022

ISBN 10 : 1350184012 ISBN 13 : 9781350184015

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Paperback. Etat : New. This book walks us through the process of how artworks eventually get their meaning, showing us how curated exhibitions invite audience members to weave an exhibition's narrative threads, which gives artworks their contents and discursive sense. Arguing that exhibitions avail artworks as candidates for reception, whose meaning, value, and relevance reflect audience responses, it challenges the existing view that exhibitions present "already-validated" candidates for appreciation. Instead, this book stresses the collaborative nature of curatorial practices, debunking the twin myths of autonomous artists and sovereign artistic directors and treating presentation and reception as separate processes. Employing set theory to distinguish curated exhibitions from uncurated exhibitions, installation art and collections, it demonstrates how exhibitions grant spectators access to concepts that aid their capacity to grasp artifacts as artworks. To inform and illuminate current debates in curatorial practice, Spaid draws on a range of case studies from Impressionism, Dada and Surrealism to more contemporary exhibitions such as Maurizio Cattelan "All" (2011) and "Damien Hirst" (2012). In articulating the process that cycles through exploration, interpretation, presentation and reception, curating bears resemblance to artistic direction more generally. N� de r�f. du vendeur LU-9781350184015

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The Philosophy of Curatorial Practice

Sue Spaid

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The Philosophy of Curatorial Practice (Paperback)

Sue Spaid

Edit� par Bloomsbury Publishing PLC, London, 2022

ISBN 10 : 1350184012 ISBN 13 : 9781350184015

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Paperback. Etat : new. Paperback. This book walks us through the process of how artworks eventually get their meaning, showing us how curated exhibitions invite audience members to weave an exhibitions narrative threads, which gives artworks their contents and discursive sense. Arguing that exhibitions avail artworks as candidates for reception, whose meaning, value, and relevance reflect audience responses, it challenges the existing view that exhibitions present already-validated candidates for appreciation. Instead, this book stresses the collaborative nature of curatorial practices, debunking the twin myths of autonomous artists and sovereign artistic directors and treating presentation and reception as separate processes. Employing set theory to distinguish curated exhibitions from uncurated exhibitions, installation art and collections, it demonstrates how exhibitions grant spectators access to concepts that aid their capacity to grasp artifacts as artworks. To inform and illuminate current debates in curatorial practice, Spaid draws on a range of case studies from Impressionism, Dada and Surrealism to more contemporary exhibitions such as Maurizio Cattelan All (2011) and Damien Hirst (2012). In articulating the process that cycles through exploration, interpretation, presentation and reception, curating bears resemblance to artistic direction more generally. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N� de r�f. du vendeur 9781350184015

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