Offers the first scholarly consideration of decadence in theatre, focusing on an international range of contemporary practitioners who embody, enact and subvert the excesses of 21st-century capitalism.
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Adam Alston is Reader in Modern and Contemporary Theatre at Goldsmiths, University of London, UK. He is the co-editor of Decadent Plays, 1890-1930 (Bloomsbury, 2024), co-editor of a special issue of Volupté: Interdisciplinary Journal of Decadence Studies on 'Decadence and Performance' (Winter 2021), and he runs the AHRC-funded Staging Decadence project. He has also published extensively on immersive theatre.
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Paperback. Etat : New. Winner of the 2024 TaPRA David Bradby Monograph PrizeHow is decadence being staged today - as a practice, issue, pejorative, and as a site of pleasure? Where might we find it, why might we look for it, and who is decadence for?This book is the first monographic study of decadence in theatre and performance. Adam Alston makes a passionate case for the contemporary relevance of decadence in the thick of a resurgent culture war by focusing on its antithetical relationship to capitalist-led growth, progress, and intensified productivity. He argues that the qualities used to disparage the study and practice of theatre and performance are the very things we should embrace in celebrating their value - namely, their spectacular uselessness, wastefulness, outmodedness, and abundant potential for producing forms of creativity that flow away from the ends and excesses of capitalism.Alston covers an eclectic range of examples by Julia Bardsley (UK), Hasard Le Sin (Finland), jaamil olawale kosoko (USA), Toco Nikaido (Japan), Martin O'Brien (UK), Toshiki Okada (Japan), Marcel·lí Antúnez Roca (Spain), Normandy Sherwood (USA), The Uhuruverse (USA), Nia O. Witherspoon (USA), and Wunderbaum (Netherlands). Expect ruminations on monstrous scenographies, catatonic choreographies, turbo-charged freneticism, visions of the apocalypse - and what might lie in its wake. N° de réf. du vendeur LU-9781350237087
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Paperback or Softback. Etat : New. Staging Decadence: Theatre, Performance, and the Ends of Capitalism. Book. N° de réf. du vendeur BBS-9781350237087
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Paperback. Etat : new. Paperback. Winner of the 2024 TaPRA David Bradby Monograph PrizeHow is decadence being staged today as a practice, issue, pejorative, and as a site of pleasure? Where might we find it, why might we look for it, and who is decadence for?This book is the first monographic study of decadence in theatre and performance. Adam Alston makes a passionate case for the contemporary relevance of decadence in the thick of a resurgent culture war by focusing on its antithetical relationship to capitalist-led growth, progress, and intensified productivity. He argues that the qualities used to disparage the study and practice of theatre and performance are the very things we should embrace in celebrating their value namely, their spectacular uselessness, wastefulness, outmodedness, and abundant potential for producing forms of creativity that flow away from the ends and excesses of capitalism.Alston covers an eclectic range of examples by Julia Bardsley (UK), Hasard Le Sin (Finland), jaamil olawale kosoko (USA), Toco Nikaido (Japan), Martin OBrien (UK), Toshiki Okada (Japan), Marcelli Antunez Roca (Spain), Normandy Sherwood (USA), The Uhuruverse (USA), Nia O. Witherspoon (USA), and Wunderbaum (Netherlands). Expect ruminations on monstrous scenographies, catatonic choreographies, turbo-charged freneticism, visions of the apocalypse and what might lie in its wake. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350237087
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Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 48086703
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