A leading philosopher of music explores the richness of popular music through a contextual account of meaning.
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Theodore Gracyk is Professor of Philosophy at Minnesota State University Moorhead, USA. He is the co-editor of The Journal of Aesthetics and Art Criticism.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Winner, ASA (American Society for Aesthetics) 2023 Outstanding Monograph PrizeFor Theodore Gracyk meaning in popular music depends as much on the context of reception and performer's intentions as on established musical and semantic practices. Songs are structures that serve as the scaffolding for meaning production, influenced by the performance decisions of the performer and their intentions. Arguing against prevailing theories of meaning that ignore the power of the performance, Gracyk champions the contextual relevance of the performer as well as novel messaging through creative repurposing of recordings. Extending the philosophical insight that meaning is a function of use, Gracyk explains how both the performance persona and the personal life of a song's performer can contribute to (or undercut) ethical and political aspects of a performance or recording. Using Carly Simon's "You're So Vain", Pink Floyd, the emergence of the musical genre of post-punk and the practice of "cover" versions, Gracyk explores the multiple, sometimes contradictory, notions of authenticity applied to popular music and the conditions for meaningful communication. He places popular music within larger cultural contexts and examines how assigning a performance or recording to one music genre rather than another has implications for what it communicates. Informed by a mix of philosophy of art and philosophy of language, Gracyk's entertaining study of popular music constructs a theoretical basis for a philosophy of meaning for songs. N° de réf. du vendeur LU-9781350249134
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Paperback or Softback. Etat : New. Making Meaning in Popular Song: Philosophical Essays. Book. N° de réf. du vendeur BBS-9781350249134
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Paperback. Etat : new. Paperback. Winner, ASA (American Society for Aesthetics) 2023 Outstanding Monograph PrizeFor Theodore Gracyk meaning in popular music depends as much on the context of reception and performers intentions as on established musical and semantic practices. Songs are structures that serve as the scaffolding for meaning production, influenced by the performance decisions of the performer and their intentions. Arguing against prevailing theories of meaning that ignore the power of the performance, Gracyk champions the contextual relevance of the performer as well as novel messaging through creative repurposing of recordings. Extending the philosophical insight that meaning is a function of use, Gracyk explains how both the performance persona and the personal life of a songs performer can contribute to (or undercut) ethical and political aspects of a performance or recording. Using Carly Simons Youre So Vain, Pink Floyd, the emergence of the musical genre of post-punk and the practice of cover versions, Gracyk explores the multiple, sometimes contradictory, notions of authenticity applied to popular music and the conditions for meaningful communication. He places popular music within larger cultural contexts and examines how assigning a performance or recording to one music genre rather than another has implications for what it communicates. Informed by a mix of philosophy of art and philosophy of language, Gracyk's entertaining study of popular music constructs a theoretical basis for a philosophy of meaning for songs. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350249134
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