The Color of Modernism: Paints, Pigments, and the Transformation of Modern Architecture in 1920s Germany - Couverture souple

Ascher Barnstone, Deborah

Couverture souple

ISBN 10 : 135025133X ISBN 13 : 9781350251335

Editeur : Bloomsbury Visual Arts, 2022

Synopsis

One of the most enduring and pervasive myths about modernist architecture is that it was white-pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings.

Focusing on Germany in the early 20th century, one of modernism's most foundational and influential periods, the book examines the different scientific and artistic color theories that were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon that encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi.

Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed.

A propos du livre

À propos de l'auteur

Deborah Ascher Barnstone is Professor and Head of Architecture at the University of Sydney, Australia. Barnstone is a licensed architect in Germany, holds a Master of Architecture degree from Columbia University, and holds a PhD from TU Delft. Her recent monograph works include Beyond the Bauhaus: Cultural Modernity in Breslau, 1918-1933 (2016), Art and Resistance in Germany (2018), and The Break with the Past: Avant-garde Architecture in Germany, 1910-1925 (2019). She co-edits Bloomsbury's Visual Cultures and German Contexts book series.

Détails de l'édition

• Éditeur: Bloomsbury Visual Arts
• Date d'édition: 2022
• Langue: anglais
• ISBN 10: 135025133X
• ISBN 13: 9781350251335
• Reliure: Broché
• Nombre de pages: 256
• Coordonnées du fabricant: non disponible
• Personne responsable: WordUnited GmbH; distribution@wordunited.com; ; Theodorstrasse 105; DUSSELDORF; 40472; Allemagne