This volume offers a comprehensive guide to the history of three iconic Beckett plays: Not I (1973), That Time (1976) and Footfalls (1976).
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
James Little is Assistant Professor in Drama, Theatre and Performance at the Department of English Studies, University of Cyprus.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This volume of the BDMP series charts the genesis of three iconic Beckett plays: Not I (1973), That Time (1976) and Footfalls (1976), all translated into French by their author. Including analyses of abandoned archival precursors - the 'Kilcool' drafts (1963) and the 'Petit Odéon' Fragments (1967-1968) - the book covers a crucial period in Beckett's playwriting career, during which his long-held ambition to stage a mouth babbling in the dark became a catalyst for some of his most innovative work. This volume provides a comprehensive guide to the history of the three plays, tracking their development from compositional manuscripts through to publication and performance. The book contends that these plays should be seen as stagings of the subject-object breakdown explored in Beckett's early writing. Drawing on the notes he took on psychology and psychoanalysis in 1934-1935, it examines the many psychological and psychoanalytic concepts that are used in the author's later stagings of the mind. The plays are analysed through the lens of enactive cognition: not as representations of particular psychological conditions, but as pieces which encourage active interpretation on the part of their audiences. By staging minds in states of breakdown that resist diagnosis, Not I / Pas moi, That Time / Cette fois and Footfalls / Pas enact the subject-object breakdown that is such a key part of Beckett's aesthetics. N° de réf. du vendeur LU-9781350269057
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Paperback. Etat : new. Paperback. This volume of the BDMP series charts the genesis of three iconic Beckett plays: Not I (1973), That Time (1976) and Footfalls (1976), all translated into French by their author. Including analyses of abandoned archival precursors the Kilcool drafts (1963) and the Petit Odeon Fragments (19671968) the book covers a crucial period in Becketts playwriting career, during which his long-held ambition to stage a mouth babbling in the dark became a catalyst for some of his most innovative work. This volume provides a comprehensive guide to the history of the three plays, tracking their development from compositional manuscripts through to publication and performance. The book contends that these plays should be seen as stagings of the subjectobject breakdown explored in Becketts early writing. Drawing on the notes he took on psychology and psychoanalysis in 19341935, it examines the many psychological and psychoanalytic concepts that are used in the authors later stagings of the mind. The plays are analysed through the lens of enactive cognition: not as representations of particular psychological conditions, but as pieces which encourage active interpretation on the part of their audiences. By staging minds in states of breakdown that resist diagnosis, Not I / Pas moi, That Time / Cette fois and Footfalls / Pas enact the subjectobject breakdown that is such a key part of Becketts aesthetics. This volume offers a comprehensive guide to the history of three iconic Beckett plays: Not I (1973), That Time (1976) and Footfalls (1976). Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350269057
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