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Abject Eroticism in Northern Renaissance Art: The Witches and Femmes Fatales of Hans Baldung Grien - Couverture souple
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Synopsis
Offers new and provocative interpretations of Hans Baldung Grien's iconic witchcraft imagery and reads the artist's work against the humanist intellectual milieu of Renaissance Germany.
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À propos de l'auteur
Yvonne Owens writes art history, emotional histories, philosophy of art, and creative critical studies. Her publications to date have mainly focused on representations of women and the gendering of evil "defect" in classical humanist discourses, cross-referencing these figures to historical art, theology, literature, and the sciences. She also writes cultural criticism, exploring contemporary post-humanist discourses in art, literature and new media. She is currently exploring the intersections among science, the sacred and the arts.
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Abject Eroticism in Northern Renaissance Art: The Witches and Femmes Fatales of Hans Baldung Grien
Edité par
Bloomsbury Visual Arts, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
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Abject Eroticism in Northern Renaissance Art (Paperback)
Edité par
Bloomsbury Publishing PLC, London, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
Paperback
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Paperback. Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Duerer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, death and the maiden and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body.Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued fromand contributed tothe contemporary understanding of witchcraft as a heresy that stemmed from natural feminine defect, a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldungs iconic witchcraft imagery, this book is essential reading for historians of art, culture and gender relations in the late medieval and early modern periods. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350283503
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Abject Eroticism in Northern Renaissance Art
Edité par
Bloomsbury Publishing PLC, GB, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
Paperback
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : New. Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Dürer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body.Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from-and contributed to-the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book is essential reading for historians of art, culture and gender relations in the late medieval and early modern periods. N° de réf. du vendeur LU-9781350283503
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Image d'archives
Abject Eroticism in Northern Renaissance Art: The Witches and Femmes Fatales of Hans Baldung Grien
Edité par
Bloomsbury Visual Arts, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
Couverture souple
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
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Etat : New. In English. N° de réf. du vendeur ria9781350283503_new
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Abject Eroticism in Northern Renaissance Art: The Witches and Femmes Fatales of Hans Baldung Grien
Edité par
Bloomsbury Publishing PLC, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
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Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9781350283503
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Abject Eroticism in Northern Renaissance Art: The Witches and Femmes Fatales of Hans Baldung Grien
Edité par
Bloomsbury Visual Arts, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
Couverture souple
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
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Abject Eroticism in Northern Renaissance Art: The Witches and Femmes Fatales of Hans Baldung Grien
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Abject Eroticism in Northern Renaissance Art (Paperback)
Edité par
Bloomsbury Publishing PLC, London, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
Paperback
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Paperback. Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Duerer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, death and the maiden and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body.Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued fromand contributed tothe contemporary understanding of witchcraft as a heresy that stemmed from natural feminine defect, a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldungs iconic witchcraft imagery, this book is essential reading for historians of art, culture and gender relations in the late medieval and early modern periods. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781350283503
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Expédition à EUR 44,19
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Abject Eroticism in Northern Renaissance Art: The Witches and Femmes Fatales of Hans Baldung Grien
Edité par
BLOOMSBURY VISUAL ARTS, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
Couverture souple
Vendeur : moluna, Greven, Allemagne
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorYvonne OwensInhaltsverzeichnisList of Illustrations Foreword by Joseph Leo KoernerIntroduction: Baldung s Polluted Witches, Poison Maids, Basilisks and Crones 1. The Abject Erotic Fe. N° de réf. du vendeur 485626333
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Image fournie par le vendeur
Abject Eroticism in Northern Renaissance Art
Edité par
Bloomsbury Publishing PLC, GB, 2022
ISBN 10 : 1350283509
ISBN 13 : 9781350283503
Neuf
Paperback
Vendeur : Rarewaves.com UK, London, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : New. Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Dürer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body.Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from-and contributed to-the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book is essential reading for historians of art, culture and gender relations in the late medieval and early modern periods. N° de réf. du vendeur LU-9781350283503
Acheter neuf
EUR 48,42
Expédition à EUR 77,63
Expédition depuis Royaume-Uni vers Etats-Unis
Expédition depuis Royaume-Uni vers Etats-Unis
Quantité disponible : Plus de 20 disponibles