Exploring the history of Nautanki through both a scholarly and practitioner's lens, this study details how the form helped give rise to and shape India's distinctive urban theatres and cinemas such as Bollywood.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Devendra Sharma is Professor of Communication and Performance Studies at California State University, USA. He is a seventh-generation actor-singer, writer, and director of Nautanki, Saangit, and Svang (older forms of Nautanki). He has performed more than 2000 performances so far in his performance career. He wrote his doctoral thesis in 2006 at Ohio University, in addition to other publications, on Nautanki, and is a worldwide authority on it.
SIMON SHEPHERD is Professor of Theatre and Deputy Principal (Academic) at the Central School of Speech and Drama, UK.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharma's book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground. What entertained India's masses and elites before the arrival of cinema in India? When did "modern" theatre begin in India and how did Nautanki contribute to its rise? In this book, renowned theatre scholar and 7th-generation Nautanki artist Devendra Sharma examines the theatrical form of Nautanki-its history, organisational structure, narratives, poetics, musical structures, artists, and performance spaces-which flourished in North India in the 19th and the 20th centuries, and is still popular now. In a concise format, Sharma explores how this socially and politically relevant theatre, full of beautiful music, swashbuckling heroes, magic, romance, and contemporary themes, once charmed audiences throughout India's cities and countryside towns and served as the continuation of elements of ancient Indian theatre. This book unravels a critical shift in the history of Indian theatre, the move from unbounded performance spaces to proscenium stages in big cities, and how this changed the meaning of theatre in India. It examines how forces of globalization and modernization have profoundly changed India's theatrical landscape, arguably side-lining one of its most robust theatre forms of the 19th and 20th centuries. It also discusses the future of Nautanki, and how it is now being performed globally. Nautanki is essential reading for anybody interested in Indian theatre, world theatre, musical theatre, opera, and Bollywood. N° de réf. du vendeur LU-9781350296763
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Paperback. Etat : new. Paperback. Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharmas book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground. What entertained Indias masses and elites before the arrival of cinema in India? When did modern theatre begin in India and how did Nautanki contribute to its rise? In this book, renowned theatre scholar and 7th-generation Nautanki artist Devendra Sharma examines the theatrical form of Nautankiits history, organisational structure, narratives, poetics, musical structures, artists, and performance spaceswhich flourished in North India in the 19th and the 20th centuries, and is still popular now. In a concise format, Sharma explores how this socially and politically relevant theatre, full of beautiful music, swashbuckling heroes, magic, romance, and contemporary themes, once charmed audiences throughout Indias cities and countryside towns and served as the continuation of elements of ancient Indian theatre. This book unravels a critical shift in the history of Indian theatre, the move from unbounded performance spaces to proscenium stages in big cities, and how this changed the meaning of theatre in India. It examines how forces of globalization and modernization have profoundly changed Indias theatrical landscape, arguably side-lining one of its most robust theatre forms of the 19th and 20th centuries. It also discusses the future of Nautanki, and how it is now being performed globally. Nautanki is essential reading for anybody interested in Indian theatre, world theatre, musical theatre, opera, and Bollywood. Exploring the history of Nautanki through both a scholarly and practitioner's lens, this study details how the form helped give rise to and shape India's distinctive urban theatres and cinemas such as Bollywood. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350296763
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Paperback. Etat : new. Paperback. Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharmas book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground. What entertained Indias masses and elites before the arrival of cinema in India? When did modern theatre begin in India and how did Nautanki contribute to its rise? In this book, renowned theatre scholar and 7th-generation Nautanki artist Devendra Sharma examines the theatrical form of Nautankiits history, organisational structure, narratives, poetics, musical structures, artists, and performance spaceswhich flourished in North India in the 19th and the 20th centuries, and is still popular now. In a concise format, Sharma explores how this socially and politically relevant theatre, full of beautiful music, swashbuckling heroes, magic, romance, and contemporary themes, once charmed audiences throughout Indias cities and countryside towns and served as the continuation of elements of ancient Indian theatre. This book unravels a critical shift in the history of Indian theatre, the move from unbounded performance spaces to proscenium stages in big cities, and how this changed the meaning of theatre in India. It examines how forces of globalization and modernization have profoundly changed Indias theatrical landscape, arguably side-lining one of its most robust theatre forms of the 19th and 20th centuries. It also discusses the future of Nautanki, and how it is now being performed globally. Nautanki is essential reading for anybody interested in Indian theatre, world theatre, musical theatre, opera, and Bollywood. Exploring the history of Nautanki through both a scholarly and practitioner's lens, this study details how the form helped give rise to and shape India's distinctive urban theatres and cinemas such as Bollywood. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781350296763
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharma's book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground. What entertained India's masses and elites before the arrival of cinema in India When did 'modern' theatre begin in India and how did Nautanki contribute to its rise In this book, renowned theatre scholar and 7th-generation Nautanki artist Devendra Sharma examines the theatrical form of Nautanki-its history, organisational structure, narratives, poetics, musical structures, artists, and performance spaces-which flourished in North India in the 19th and the 20th centuries, and is still popular now. In a concise format, Sharma explores how this socially and politically relevant theatre, full of beautiful music, swashbuckling heroes, magic, romance, and contemporary themes, once charmed audiences throughout India's cities and countryside towns and served as the continuation of elements of ancient Indian theatre. This book unravels a critical shift in the history of Indian theatre, the move from unbounded performance spaces to proscenium stages in big cities, and how this changed the meaning of theatre in India. It examines how forces of globalization and modernization have profoundly changed India's theatrical landscape, arguably side-lining one of its most robust theatre forms of the 19th and 20th centuries. It also discusses the future of Nautanki, and how it is now being performed globally. Nautanki is essential reading for anybody interested in Indian theatre, world theatre, musical theatre, opera, and Bollywood. N° de réf. du vendeur 9781350296763
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Paperback. Etat : New. Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharma's book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground. What entertained India's masses and elites before the arrival of cinema in India? When did "modern" theatre begin in India and how did Nautanki contribute to its rise? In this book, renowned theatre scholar and 7th-generation Nautanki artist Devendra Sharma examines the theatrical form of Nautanki-its history, organisational structure, narratives, poetics, musical structures, artists, and performance spaces-which flourished in North India in the 19th and the 20th centuries, and is still popular now. In a concise format, Sharma explores how this socially and politically relevant theatre, full of beautiful music, swashbuckling heroes, magic, romance, and contemporary themes, once charmed audiences throughout India's cities and countryside towns and served as the continuation of elements of ancient Indian theatre. This book unravels a critical shift in the history of Indian theatre, the move from unbounded performance spaces to proscenium stages in big cities, and how this changed the meaning of theatre in India. It examines how forces of globalization and modernization have profoundly changed India's theatrical landscape, arguably side-lining one of its most robust theatre forms of the 19th and 20th centuries. It also discusses the future of Nautanki, and how it is now being performed globally. Nautanki is essential reading for anybody interested in Indian theatre, world theatre, musical theatre, opera, and Bollywood. N° de réf. du vendeur LU-9781350296763
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Taschenbuch. Etat : Neu. Nautanki | The Musical Theatre of North India | Devendra Sharma | Taschenbuch | Forms of Drama | Englisch | 2026 | Methuen Drama | EAN 9781350296763 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 136018272
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