The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.
Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.
Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.
Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ann Murray is an independent scholar from Ireland. She is the editor of Constructing the Memory of War in Visual Culture since 1914: The Eye on War (2018).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur DB-9781350354661
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany. N° de réf. du vendeur LU-9781350354661
Quantité disponible : 5 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur DB-9781350354661
Quantité disponible : 1 disponible(s)
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur NGVIZHNOS2
Quantité disponible : 5 disponible(s)
Vendeur : Bookmans, Tucson, AZ, Etats-Unis
paperback. Etat : Good. Satisfaction 100% guaranteed. N° de réf. du vendeur mon0002741964
Quantité disponible : 1 disponible(s)
Vendeur : BargainBookStores, Grand Rapids, MI, Etats-Unis
Paperback or Softback. Etat : New. Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-1936. Book. N° de réf. du vendeur BBS-9781350354661
Quantité disponible : 1 disponible(s)
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. N° de réf. du vendeur 394401330
Quantité disponible : 3 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2025. paperback. . . . . . N° de réf. du vendeur V9781350354661
Quantité disponible : 10 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (18911969) one of the leading artists connected to these artistic movements employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europes leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dixs war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dixs war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dixs war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany. Examines the war pictures, both paintings and graphic work, of Otto Dix produced during the years 1914-1936. Places the work within the broader visual culture of the war and how it was understood as war memory through its critical reception in key exhibitions of the period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350354661
Quantité disponible : 1 disponible(s)
Vendeur : Chiron Media, Wallingford, Royaume-Uni
paperback. Etat : New. N° de réf. du vendeur 6666-LBR-9781350354661
Quantité disponible : 1 disponible(s)