This is the first full-length book to investigate Beckett's work through contemporary ecological thinking, offering a wide range of artistic and scholarly responses to ongoing ecological crises.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Trish McTighe is Senior Lecturer in Drama at Queen's University Belfast, UK. Her publications include Staging Beckett in Ireland and Northern Ireland and Staging Beckett in Great Britain, both co-edited with David Tucker, and the monographs The Haptic Aesthetic in Samuel Beckett's Drama and Carnivals of Ruin: Beckett, Ireland and the Festival Form. She is theatre reviews editor for the Journal of Beckett Studies.
Céline Thobois-Gupta is an IRC-funded PhD researcher and an Adjunct Assistant Professor in the Department of Drama at Trinity College Dublin, Ireland, as well as an ECR Fellow at the Trinity Long Room Hub. She is published in Samuel Beckett Today / Aujourd'hui, The Beckett Circle, Theatre Journal and Samuel Beckett and Technology. She is also co-editing a special issue of the Journal of Beckett Studies on the Anthropocene.
Nicholas E. Johnson is Associate Professor and Head of Drama at Trinity College Dublin, Ireland, where he co-directs the Trinity Centre for Beckett Studies. He has published two co-authored monographs, Experimental Beckett: Contemporary Performance Practices (with Jonathan Heron, 2020) and Bertolt Brecht's David Fragments (1919-1921): An Interdisciplinary Study (Bloomsbury/T & T Clark, with David Shepherd, 2020). He has also co-edited two volumes on Beckett: Beckett's Voices / Voicing Beckett (2021) and Influencing Beckett / Beckett Influencing (2020).
Nicholas E. Johnson is Assistant Professor of Drama at Trinity College Dublin, Ireland.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. This is the first full-length book to investigate Samuel Beckett's work through contemporary ecological thinking, offering a wide range of artistic and scholarly responses to the ecological crises provoked, mediated or challenged by Beckett's work.Beckett was not an environmental artist, but his oeuvre, poised between forms of precarity and hope, is a rich territory for the exploration of the most pressing issues of our time: the rift between the human species, its technological and economic advancement and the ecologies that sustain it all. In recent years, Beckett's name, aphorisms and work have been invoked relative to environmental catastrophe, helping stimulate debates on ecology, the arts and the ecosystemic place of the human. The volume reflects on ecology as a productive term, as well as the varied practices and narratives in Beckettian intermedial ecologies. While some authors offer new insights into the connections between Beckett and the Anthropocene across translation, adaptation, performance and the visual arts, others also explore the potential of Happy Days (1961) for ecological thought and the role it has taken in recent ecodramaturgical experiments in the theatre. Woven throughout the volume are short bursts of writing, 'coups de gong', which testify to the variety of Beckett-inspired local responses to global climate instability. N° de réf. du vendeur LU-9781350366022
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Hardcover. Etat : new. Hardcover. This is the first full-length book to investigate Samuel Becketts work through contemporary ecological thinking, offering a wide range of artistic and scholarly responses to the ecological crises provoked, mediated or challenged by Becketts work.Beckett was not an environmental artist, but his oeuvre, poised between forms of precarity and hope, is a rich territory for the exploration of the most pressing issues of our time: the rift between the human species, its technological and economic advancement and the ecologies that sustain it all. In recent years, Becketts name, aphorisms and work have been invoked relative to environmental catastrophe, helping stimulate debates on ecology, the arts and the ecosystemic place of the human. The volume reflects on ecology as a productive term, as well as the varied practices and narratives in Beckettian intermedial ecologies. While some authors offer new insights into the connections between Beckett and the Anthropocene across translation, adaptation, performance and the visual arts, others also explore the potential of Happy Days (1961) for ecological thought and the role it has taken in recent ecodramaturgical experiments in the theatre. Woven throughout the volume are short bursts of writing, coups de gong, which testify to the variety of Beckett-inspired local responses to global climate instability. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350366022
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