Articles liés à The Merchant of Venice: Shakespeare: The Critical Tradition
Synopsis
An updated edition of collected criticism offering a unique account of the critical history of one of Shakespeare's most problematic plays. This edition features a new supplementary introduction.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos des auteurs
William Baker is Distinguished Chair Qiantang River Professor, Hangzhou Normal University, Hangzhou, PRChina and Distinguished Professor Emeritus, Northern Illinois University, USA. Co-Editor, Year's Work in English Studies, he is the author/editor of numerous books: his co-authored Harold Pinter: A Bibliographical History and The Letters of Wilkie Collins were honoured by Choice as the year's most outstanding books (2006 and 2000). The author of numerous articles on Shakespeare, including his William Shakespeare (2009), translated into Chinese. Recent publications include Pinter's World (2018), contributions to Tom Stoppard in Context (2021), and the co-edited Wilkie Collins in Context (2023).
Brian Vickers is a Fellow of the British Academy and a Distinguished Senior Fellow in The School of Advanced Study, University of London.
Gary Watt is a Professor of Law at the University of Warwick, and one of the General Editors of Law and Humanities. He was named UK 'Law Teacher of the Year' 2009.
Joseph Candido is Professor of English at the University of Arkansas, USA. He has published extensively on Shakespeare and Renaissance drama, particularly the Elizabethan and Jacobean history play. He is the editor of King John in the series Shakespeare: The Critical Tradition, and is editor of The Text, the Play, and the Globe: Essays on Literary Influence in Shakespeare's World and His Work in Honor of Charles R. Forker (2016).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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The Merchant of Venice
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The Arden Shakespeare (UK), 2025
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Hardback. Etat : New. This volume documents the full tradition of criticism of The Merchant of Venice ranging from 1775 to 1939. The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays, though it poses many challenges due to what is seen as its inherent anti-Semitism. Before the 19th century critical reaction is relatively fragmentary, but between then and the late 20th century the critical tradition reveals the power of the play to evoke emotion in the theatre. Since the middle of the 20th century, reactions to the drama have been influenced by the Nazi destruction of European Jewry.An extensive introduction charts the reactions to the play up to the beginning of the 21st century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication, including from Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.This revised edition features a new supplementary introduction by Gary Watt surveying and analyzing trends in criticism since the volume was first published in 2005, including a focus on:* Jewishness and anti-Semitism and the character of Shylock* mercantile, financial, risk, insurance, usury and credit* trial, law, rhetoric, equity and justice* gender, queer themes, cross-dressing and the Antonio-Bassanio relationship* race and colonialism. N° de réf. du vendeur LU-9781350398979
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The Merchant of Venice (Hardcover)
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Hardcover. Etat : new. Hardcover. This volume documents the full tradition of criticism of The Merchant of Venice ranging from 1775 to 1939. The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays, though it poses many challenges due to what is seen as its inherent anti-Semitism. Before the 19th century critical reaction is relatively fragmentary, but between then and the late 20th century the critical tradition reveals the power of the play to evoke emotion in the theatre. Since the middle of the 20th century, reactions to the drama have been influenced by the Nazi destruction of European Jewry.An extensive introduction charts the reactions to the play up to the beginning of the 21st century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication, including from Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.This revised edition features a new supplementary introduction by Gary Watt surveying and analyzing trends in criticism since the volume was first published in 2005, including a focus on:* Jewishness and anti-Semitism and the character of Shylock* mercantile, financial, risk, insurance, usury and credit* trial, law, rhetoric, equity and justice* gender, queer themes, cross-dressing and the Antonio-Bassanio relationship* race and colonialism. An updated edition of collected criticism offering a unique account of the critical history of one of Shakespeare's most problematic plays. This edition features a new supplementary introduction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350398979
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ISBN 13 : 9781350398979
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