Synopsis
A study of how antiquarian scholarship emerged as the principal technology for visualising ancient Greek culture, at a time when very few people could travel to and see Greece.
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À propos de l?auteur
Daniel Orrells is Professor of Classics at King's College London, UK. He is author of Sex: Antiquity and Its Legacy (2015) and Classical Culture and Modern Masculinity (2011), and is co-editor of The Mudimbe Reader (2016) and African Athena: New Agendas (2011).
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Antiquity in Print : Visualizing Greece in the Eighteenth Century
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Bloomsbury Academic, 2024
ISBN 10 : 1350407771
ISBN 13 : 9781350407770
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Antiquity in Print : Visualizing Greece in the Eighteenth Century
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Bloomsbury Academic, 2024
ISBN 10 : 1350407771
ISBN 13 : 9781350407770
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Antiquity in Print
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Antiquity in Print
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Antiquity in Print
Edité par
Bloomsbury Publishing PLC, GB, 2024
ISBN 10 : 1350407771
ISBN 13 : 9781350407770
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Paperback. Etat : New. Daniel Orrells examines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire. Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts. With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-François Hugues d'Hancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics. N° de réf. du vendeur LU-9781350407770
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ANTIQUITY IN PRINT
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ISBN 13 : 9781350407770
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Antiquity in Print
Edité par
Bloomsbury Publishing PLC, GB, 2024
ISBN 10 : 1350407771
ISBN 13 : 9781350407770
Neuf
Paperback
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Paperback. Etat : New. Daniel Orrells examines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire. Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts. With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-François Hugues d'Hancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics. N° de réf. du vendeur LU-9781350407770
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Antiquity in Print (Paperback)
Edité par
Bloomsbury Publishing PLC, London, 2024
ISBN 10 : 1350407771
ISBN 13 : 9781350407770
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Paperback. Etat : new. Paperback. Daniel Orrells examines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire. Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts. With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-Francois Hugues dHancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics. A study of how antiquarian scholarship emerged as the principal technology for visualising ancient Greek culture, at a time when very few people could travel to and see Greece. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350407770
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Antiquity in Print: Visualizing Greece in the Eighteenth Century
Edité par
Bloomsbury Academic, 2024
ISBN 10 : 1350407771
ISBN 13 : 9781350407770
Ancien ou d'occasion
Couverture souple
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