This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another. Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions. The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji manga—and manga and anime in general once they went global.
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Lynne K. Miyake is Emerita Professor of Japanese in the Department of Asian Languages and Literatures and the Asian Studies Program at Pomona College, USA. She has published and presented on The Tale of Genji manga in the U.S. and abroad at conferences, colleges/universities, and at the Billy Ireland Cartoon Library and Museum, the Minneapolis Institute of Art, and the Los Angeles County Museum of Art. She is also featured in radio interviews with Ideas with Host Paul Kennedy and On Point with Tom Ashbrook, and on the Annenberg Educational Genji website .
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another.Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions.The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji manga-and manga and anime in general once they went global. N° de réf. du vendeur LU-9781350424968
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Paperback. Etat : new. Paperback. This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another.Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions.The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji mangaand manga and anime in general once they went global. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350424968
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Paperback. Etat : new. Paperback. This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another.Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions.The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji mangaand manga and anime in general once they went global. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781350424968
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Paperback. Etat : New. This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another.Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions.The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji manga-and manga and anime in general once they went global. N° de réf. du vendeur LU-9781350424968
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