Contemporary Chilean Filmmaking: The Aesthetics of Trauma - Couverture rigide

Verdejo, Eva-Rosa Ferrand

9781350528024: Contemporary Chilean Filmmaking: The Aesthetics of Trauma

Couverture rigide

ISBN 10 : 1350528021 ISBN 13 : 9781350528024

Editeur : Bloomsbury Academic, 2025

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An in-depth exploration of how traumatic memories of the Chilean dictatorship (1973-1990) have shaped contemporary filmmaking ethics and aesthetics.

Les informations fournies dans la section � Synopsis � peuvent faire r�f�rence � une autre �dition de ce titre.

� propos de l'auteur

Eva-Rosa Ferrand Verdejo is a research assistant at CY Cergy Paris Universit�, France. She completed her PhD in Film and TV Studies (University of Warwick) and in Hispanic Studies (CY Cergy Paris Universit�) in 2022.

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

�diteur: Bloomsbury Academic
Date d'�dition: 2025
Langue: anglais
ISBN 10: 1350528021
ISBN 13: 9781350528024
Reliure: Reli�
Nombre de pages: 216
Coordonn�es du fabricant: non disponible
Personne responsable: Bloomsbury Publishing Ireland Limited, Bloomsbury Publishing Ireland Limited
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Contemporary Chilean Filmmaking

Eva-Rosa Ferrand Verdejo

Edit� par Bloomsbury Academic (UK), 2025

ISBN 10 : 1350528021 ISBN 13 : 9781350528024

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Contemporary Chilean Filmmaking: The Aesthetics of Trauma (World Cinema)

Eva-Rosa Ferrand Verdejo

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ISBN 10 : 1350528021 ISBN 13 : 9781350528024

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Etat : New. 2025. hardcover. . . . . . N� de r�f. du vendeur V9781350528024

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Contemporary Chilean Filmmaking

Verdejo, Eva-Rosa Ferrand

Edit� par Bloomsbury Academic, 2025

ISBN 10 : 1350528021 ISBN 13 : 9781350528024

Neuf Couverture rigide

Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni

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Contemporary Chilean Filmmaking

Eva-Rosa Ferrand Verdejo

Edit� par Bloomsbury Publishing PLC, GB, 2025

ISBN 10 : 1350528021 ISBN 13 : 9781350528024

Neuf Couverture rigide

Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni

�valuation du vendeur 5 sur 5 �toiles

Hardback. Etat : New. This book explores how the generation of filmmakers born in the aftermath of the Chilean dictatorship (1973-1990) use cinema to navigate and narrate the complex legacies of their country's turbulent past.Eva-Rosa Ferrand Verdejo examines the work of the Nov�simo Cine Chileno, providing close readings of key films such as Fernando Guzzoni's Carne de Perro (2013),Crist�bal Le�n and Joaqu�n Coci�a's La Casa Lobo (2018), Manuela Martelli's 1976 (2022), and Pablo Larra�n's El Conde (2023). She identifies a recurring trope of blurred boundaries within these films - whether between right and wrong, past and present, fiction and reality, or a blending of genre conventions, - which disorients the viewer and resists any singular understanding of the film. She argues that this disorientation pushes the audience into a more active and critical mode of spectatorship.Drawing on psychoanalytical theory and political philosophy, she goes on to explore how the aesthetic choices within these films are reflective of an uneasy relationship to Chile's traumatic past. Labelling these the 'aesthetics of trauma', she argues that they challenge official histories and raise broader questions about memory, trauma, and ethical representation in post-dictatorial societies. N� de r�f. du vendeur LU-9781350528024

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Contemporary Chilean Filmmaking

Eva-Rosa Ferrand Verdejo

Edit� par Bloomsbury Publishing (UK), 2025

ISBN 10 : 1350528021 ISBN 13 : 9781350528024

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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis

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HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N� de r�f. du vendeur HU-9781350528024

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Contemporary Chilean Filmmaking (Hardcover)

Eva-Rosa Ferrand Verdejo

Edit� par Bloomsbury Publishing PLC, London, 2025

ISBN 10 : 1350528021 ISBN 13 : 9781350528024

Neuf Couverture rigide

Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis

�valuation du vendeur 5 sur 5 �toiles

Hardcover. Etat : new. Hardcover. This book explores how the generation of filmmakers born in the aftermath of the Chilean dictatorship (1973-1990) use cinema to navigate and narrate the complex legacies of their country's turbulent past.Eva-Rosa Ferrand Verdejo examines the work of the Novisimo Cine Chileno, providing close readings of key films such as Fernando Guzzonis Carne de Perro (2013),Cristobal Leon and Joaquin Cocinas La Casa Lobo (2018), Manuela Martellis 1976 (2022), and Pablo Larrains El Conde (2023). She identifies a recurring trope of blurred boundaries within these films whether between right and wrong, past and present, fiction and reality, or a blending of genre conventions, which disorients the viewer and resists any singular understanding of the film. She argues that this disorientation pushes the audience into a more active and critical mode of spectatorship.Drawing on psychoanalytical theory and political philosophy, she goes on to explore how the aesthetic choices within these films are reflective of an uneasy relationship to Chile's traumatic past. Labelling these the 'aesthetics of trauma', she argues that they challenge official histories and raise broader questions about memory, trauma, and ethical representation in post-dictatorial societies. An in-depth exploration of how traumatic memories of the Chilean dictatorship (1973-1990) have shaped contemporary filmmaking ethics and aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N� de r�f. du vendeur 9781350528024

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