Eight years ago, in the close of the first volume of Modern Painters, I ventured to give the following advice to the young artists of England: They should go to nature in all singleness of heart, and walk with her laboriously and trustingly, having no other thought but how best to penetrate her meaning; rejecting nothing, selecting nothing, and scorning nothing. Advice which, whether bad or good, involved infinite labour and humiliation in the following it; and was therefore, for the most part, rejected. It has, however, at last been carried out, to the very letter, by a group of men who, for their reward, have been assailed with the most scurrilous abuse which I ever recollect seeing issue from the public press. I have, therefore, thought it due to them to contradict the directly false statements which have been made respecting their works ;and to point out the kind of merit which, however deficient in some respects, those works possess beyond the possibility of dispute. Denmark Hill, A ug. 1851.
(Typographical errors above are due to OCR software and don't occur in the book.)
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