I reland must be largely influenced by M. Paul-D ubois, whose LI rlande Contemporaine, perfectly translated into English, is published by Messrs Maunsel Company, Limited, of Dublin. The completeness and astonishing accuracy of this brilliant Frenchman swork force all his successors to go to him. I have been compelled to quote him in several instances. It was the only honest course, for otherwise my text would have either consciously or unconsciously paraphrased him. I ndeed, so clear is his narrative and so definite are his conclusions, that, more than once, I have found in my own text an unconscious acceptance of, or a bona fide similarity to, this writers unique work. I acknowledge with thanks my indebtedness to Messrs Maunsel Company for their permission thus to levy tribute upon a publication of theirs which is of priceless value to I reland.
(Typographical errors above are due to OCR software and don't occur in the book.)
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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