Unlock the rules and rhythm behind sixteenth‑century counterpoint. This study explains how polyphonic voices weave together, with Palestrina’s style as the core example and Bach’s approach as a broader context for teaching.
This edition frames counterpoint as a practical, historical discipline. It balances theory with music-making, showing how rules evolved and how teachers can guide students toward genuine musical expression without losing the period’s distinct sound.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.