From the author of FOE, now a major motion picture starring Saoirse Ronan and Paul Mescal
Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”
Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny – with a growing sense of unrest and distrust – starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?
At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.
‘I loved this book and couldn't put it down – a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master’ Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Iain Reid has written five books, including the New York Times bestselling novel I’m Thinking of Ending Things, which has been translated into more than twenty languages and was adapted into a Netflix film by Oscar winner Charlie Kaufman. His second novel, Foe, was also adapted to film, starring Saoirse Ronan and Paul Mescal. His third novel, We Spread, was nominated for the Governor General’s Literary Award.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. From the author of FOE, now a major motion picture starring Saoirse Ronan and Paul Mescal Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many "incidents." Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny - with a growing sense of unrest and distrust - starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid's genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.'I loved this book and couldn't put it down - a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master' Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well. N° de réf. du vendeur LU-9781398504165
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. From the author of FOE, now a major motion picture starring Saoirse Ronan and Paul Mescal Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many "incidents." Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny - with a growing sense of unrest and distrust - starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid's genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.'I loved this book and couldn't put it down - a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master' Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well. N° de réf. du vendeur LU-9781398504165
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Paperback. Etat : new. Paperback. From the author of FOE, now a major motion picture starring Saoirse Ronan and Paul Mescal Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many incidents. Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny with a growing sense of unrest and distrust starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reids genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.I loved this book and couldn't put it down a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781398504165
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 54938224-20
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