Explores Victorian writers' erotic investment in statues
Theorises the function of the sculptural body in Victorian poetry and proseOffers thorough readings of sculpture in Victorian texts and contextsExamines a wide range of works by well-known and lesser-known writers of the period (e.g. Thomas Hardy, John Ruskin, Oscar Wilde, Walter Pater, Vernon Lee, Olive Custance, Arthur O'Shaughnessy)Extends the British focus to encompass nineteenth-century European and American writings
This book argues that, in Victorian literature, transgressive desires that cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums, Pulham observes that while touch is prohibited in these cultural locations Victorian texts offer 'safe' spaces where sculptures may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision and permit the recovery of forbidden love.
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Patricia Pulham is Professor of Victorian Literature at the University of Surrey and editor of the EUP journal, Victoriographies. Her research focuses on Victorian literature, culture and the visual arts, and she has published widely on a range of nineteenth-century authors. She joined the University of Surrey in 2017 where she is Director of Research in the School of Literature and Languages and teaches modules on the Victorian fin-de-siècle and neo-Victorian literature.
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Paperback. Etat : New. This book argues that, in Victorian literature, desires which cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums Pulham observes that, while touch is prohibited in these cultural locations, Victorian texts offer 'safe' spaces where statues may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision to permit the recovery of forbidden love. N° de réf. du vendeur LU-9781399504591
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Paperback. Etat : new. Paperback. Explores Victorian writers' erotic investment in statuesTheorises the function of the sculptural body in Victorian poetry and proseOffers thorough readings of sculpture in Victorian texts and contextsExamines a wide range of works by well-known and lesser-known writers of the period (e.g. Thomas Hardy, John Ruskin, Oscar Wilde, Walter Pater, Vernon Lee, Olive Custance, Arthur O'Shaughnessy)Extends the British focus to encompass nineteenth-century European and American writings This book argues that, in Victorian literature, transgressive desires that cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums, Pulham observes that while touch is prohibited in these cultural locations Victorian texts offer 'safe' spaces where sculptures may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision and permit the recovery of forbidden love. This book argues that, in Victorian literature, transgressive desires that cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781399504591
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Paperback. Etat : New. This book argues that, in Victorian literature, desires which cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums Pulham observes that, while touch is prohibited in these cultural locations, Victorian texts offer 'safe' spaces where statues may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision to permit the recovery of forbidden love. N° de réf. du vendeur LU-9781399504591
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