Comic Sans is one of the most used and most reviled typefaces of the digital age. How was it made? How could it spawn a movement to ban it and yet still be so widely promoted by educators? What does its accidental creator make of its contentious and singular history?
This quirky and unique book considers how the computer transformed type into something that anyone could use and have an opinion on. It examines how a typeface, correctly used, may sell us almost anything, and how new types with names such as Crash Soul, Lovely Scream Queens and Ampersandist (to name but three recent examples of the hundreds issued each year) each attempt to keep the alphabet exciting and new. And it concludes with an alluring question: could Comic Sans now be the coolest typeface ever made?
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Simon Garfield is the author of the international bestsellers Just My Type, On the Map and Mauve, while To the Letter was one of the inspirations for the theatre shows Letters Live with Benedict Cumberbatch. His study of AIDS in Britain, The End of Innocence, won the Somerset Maugham prize.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. Comic Sans is one of the most used and most reviled typefaces of the digital age. How was it made? How could it spawn a movement to ban it and yet still be so widely promoted by educators? What does its accidental creator make of its contentious and singular history?This quirky and unique book considers how the computer transformed type into something that anyone could use and have an opinion on. It examines how a typeface, correctly used, may sell us almost anything, and how new types with names such as Crash Soul, Lovely Scream Queens and Ampersandist (to name but three recent examples of the hundreds issued each year) each attempt to keep the alphabet exciting and new. And it concludes with an alluring question: could Comic Sans now be the coolest typeface ever made? More than a decade on from the publication of the Sunday Times bestselling JUST MY TYPE, Simon Garfield presents a new series of beautifully designed pocket biographies of iconic typefaces Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781399609302
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. Comic Sans is one of the most used and most reviled typefaces of the digital age. How was it made? How could it spawn a movement to ban it and yet still be so widely promoted by educators? What does its accidental creator make of its contentious and singular history?This quirky and unique book considers how the computer transformed type into something that anyone could use and have an opinion on. It examines how a typeface, correctly used, may sell us almost anything, and how new types with names such as Crash Soul, Lovely Scream Queens and Ampersandist (to name but three recent examples of the hundreds issued each year) each attempt to keep the alphabet exciting and new. And it concludes with an alluring question: could Comic Sans now be the coolest typeface ever made? N° de réf. du vendeur LU-9781399609302
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