Book by Carson Anne
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
“One of the most interesting gatherings of material that any poet has published within living memory. . . . She is quite unlike any other poet writing today.” –The Economist“Exhilarating . . . Carson takes risks, subverts literary conventions, and plays havoc with our expectations. She is a wonder: an unconventional poet who has a huge following among today’s readers of poetry and whose work has been honored with our most prestigious literary awards . . . When it comes to content, most poetry is boring compared to Carson’s . . . She writes as if every poet, writer, religious thinker, and philosopher who has ever lived is still our contemporary . . . Carson is immensely learned. [Her] prose, with its clarity, compactness, and memorable epigrams, reminds me of Emerson . . . To work with fragments of ancient lyric poems, as Carson does, is to [be] an archaeologist of the invisible whose tools are her learning and her imagination . . . She is interested in her characters in a way that most poets are not. Her language is the language of fiction and the manner in which the stories are told resembles magical realism with its wild imaginings and its carnival atmosphere. As for her subject matter, she writes perceptively and amusingly about men and women in love, their jealousies, their misunderstandings, and the solitude which they are not able to overcome . . . The essays in Decreation are full of marvelous insights . . . What the poet and the authentic thinker share, according to Heidegger, is their ability to wonder at how things exist and to live with that wonder. Carson reminds us that poeticizing in this broader philosophical sense and in the narrow sense of the poetic have always been related. The play of philosophical ideas makes [all] her books worth reading . . . Enthralling, masterful, engaging, stunning, inspired, impressive, profoundly moving, poignant, probing.”–The New York Review of Books“Cool, resolute, smart, and lovely . . . Carson has emerged in the last two decades as a kind of prophet of the unknowable. Decreation may be her loneliest book–a theological treatise and dramatization of how to escape one’s self . . . Carson attempts [this task] with great tenderness, framing the undoing as a work of love that compels one to forsake oneself in order to be something more–truer, more luminous, and also more transient. Carson moves from form to form–poetry, essay, screenplay–and from body to body . . . In the shape traced by Carson’s rapid flight patterns one can almost discern a transcendent emptiness, uninhabitable to more stationary souls.”–The Village Voice
Outwardly His Life Ran Smoothly
Comparative figures: 1784 Kant owned 55 books, Goethe 2300, Herder 7700.
Windows: Kant had one bedroom window, which he kept shut at all times, to
forestall insects. The windows of his study faced the garden, on the the other side of
which was the city jail. In summer loud choral singing of the inmates wafted in.
Kant asked that the singing be done sotto voce and with windows closed. Kant had
friends at city hall and got his wish.
Tolstoy: Tolstoy thought that if Kant had not smoked so much tobacco The
Critique of Pure Reason would have been written in language you could under-
stand (in fact he smoked one pipe at 5 AM).
Numbering: Kant never ate dinner alone, it exhausts the spirit. Dinner guests, in
the opinion of the day, should not number more than the Muses nor less than the
Graces. Kant set six places.
Sensualism: Kant's favourite dinner was codfish.
Rule Your Nature: Kant breathed only through his nose.
From the Hardcover edition.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : More Than Words, Waltham, MA, Etats-Unis
Etat : Good. A sound copy with only light wear. Overall a solid copy at a great price! N° de réf. du vendeur BOS-D-09j-0001889
Quantité disponible : 1 disponible(s)
Vendeur : Solr Books, Lincolnwood, IL, Etats-Unis
Etat : very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear. N° de réf. du vendeur BCV.1400043492.VG
Quantité disponible : 1 disponible(s)
Vendeur : Remarks Used Books, Pittsfield, MA, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Second Printing, October 2005. 245pp. Bright, clean & tight copy, unread, in AS NEW condition. "In her first collection in five years, Anne Carson contemplates 'decreation'--an activity described by Simone Weil as 'undoing the creature in us'--an undoing of self. But how can we undo self without moving through self, to the very inside of its definition? Where else can we start? [] Anne Carson's DECREATION starts with form--the undoing of form. Form is various here: opera libretto, screenplay, poem, oratorio, essay, shot list, rapture. The undoing is tender, but tenderness can change everything, or so the author appears to believe." [jacket copy] "In 13 intricately related, supple and confident works in verse and prose, eminent poet and classicist Carson takes on the meaning and function of sleep; the art and attitudes of Samuel Beckett; the last days of an elderly mother; guns; a solar eclipse; 'Longing, a Documentary'; the films of Michelangelo Antonioni; and the vexing, paradoxical projects of women mystics, among them Simone Weil and the medieval heretic Marguerite Porete. Porete, Sappho and others are subjects for brilliant prose essays. The volume's unusual length, though, comes mostly from one-act operas, closet dramas, and other work with stage or film components. 'The Mirror of Simple Souls,' a short opera and artist's book about Porete, already has an underground reputation: here it takes its place among other works for dramatic recital, including 'Hunger Tango,' 'Stroke and Dye Aria' and a teasingly brief verse screenplay about Abelard, Heloïse and chickpeas. For all its variety, though, the strongest work in this strong collection may be the short, spiky, individual poems, which certainly provide the best single lines: 'Your glassy wind breaks on a shoutless shore and stirs around the rose.'"--Publishers Weekly. Pristine hardcover w/brilliant corners & crisp deckle edges, a square & tight binding, wrapped in a bright & handsome jacket. N° de réf. du vendeur RUB2725
Quantité disponible : 1 disponible(s)
Vendeur : leaves, Brooklyn, NY, Etats-Unis
first edition, 2005. new york: alfred knopf. isbn: 1400043492. 6.5 x 8.5 inches. 245 pages. hardcover. bound in sky blue paper-covered boards. book condition: fine. jacket condition: fine. from the library of richard perlbinder. N° de réf. du vendeur 1453
Quantité disponible : 1 disponible(s)
Vendeur : Edmonton Book Store, Edmonton, AB, Canada
Etat : very good. Etat de la jaquette : very good. 8vo pp.245. book. N° de réf. du vendeur 333085
Quantité disponible : 1 disponible(s)
Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-1400043492
Quantité disponible : 1 disponible(s)
Vendeur : Augustine Funnell Books, Fredericton, NB, Canada
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. In this one the much-accomplished Canadian poet, essayist, and many other things explores the idea of "undoing the creature in us" (Simone Weil) in "an undoing of self." Sky blue boards w/bronze foil spine lettering, 245 pages + permissions acknowledgements/illustration credits/a note on the type, three illustrations Size: 8vo - over 7¾ - 9¾" tall. Book. N° de réf. du vendeur 019911
Quantité disponible : 1 disponible(s)
Vendeur : Augustine Funnell Books, Fredericton, NB, Canada
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. In this one the much-accomplished Canadian poet, essayist, and many other things explores the idea of "undoing the creature in us" (Simone Weil) in "an undoing of self." Signed on title page ("Respectfully/AC/2008"). Sky blue boards w/bronze foil spine lettering, 245 pages + permissions acknowledgements/illustration credits/a note on the type, three illustrations. Bottom corners bumped, in lightly rubbed dust jacket. A nice copy. Size: 8vo - over 7¾ - 9¾" tall. Signed by Author(s). Book. N° de réf. du vendeur 019916
Quantité disponible : 1 disponible(s)