What is the relationship between 'body' and 'mind', 'inner' and 'outer' in any approach to acting? How have different modes of actor training shaped actors' experiences of acting and how they understand their work? Phillip B. Zarrilli, Jerri Daboo and Rebecca Loukes offer insight into such questions, analysing acting as a psychophysical phenomenon and process across cultures and disciplines, and providing in-depth accounts of culturally and historically specific approaches to acting. Individual chapters explore:
- Psychophysical acting and the legacy of Stanislavsky
- European psychophysical practices of dance and theatre
- Traditional and contemporary psychophysical approaches to performance in India and Japan
- Insights from the new sciences on the 'situated bodymind' of the actor
- Intercultural perspectives on acting.
This lively study is ideal for students and practitioners alike.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Phillip Zarrilli was Professor of Performance Practice at the University of Exeter, UK, and the founding Artistic Director of The Llanarth Group, Wales, UK.
Jerri Daboo is Professor of Performance and Culture in the Department of Communications, Drama, and Film at the University of Exeter, UK.
Rebecca Loukes is Senior Lecturer in Drama at the University of Exeter, UK, and Co-Artistic Director of RedCape Theatre, UK.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. What is the relationship between 'body' and 'mind', 'inner' and 'outer' in any approach to acting? How have different modes of actor training shaped actors' experiences of acting and how they understand their work? Phillip B. Zarrilli, Jerri Daboo and Rebecca Loukes offer insight into such questions, analysing acting as a psychophysical phenomenon and process across cultures and disciplines, and providing in-depth accounts of culturally and historically specific approaches to acting. Individual chapters explore: - Psychophysical acting and the legacy of Stanislavsky- European psychophysical practices of dance and theatre- Traditional and contemporary psychophysical approaches to performance in India and Japan- Insights from the new sciences on the 'situated bodymind' of the actor- Intercultural perspectives on acting.This lively study is ideal for students and practitioners alike. N° de réf. du vendeur LU-9781403990556
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