Explorations in New Cinema History: Approaches and Case Studies

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9781405199506: Explorations in New Cinema History: Approaches and Case Studies

Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange.

  • Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others
  • Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses
  • Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution
  • Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences
  • Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

From the Back Cover :

Explorations in New Cinema History presents an original approach to writing and understanding the social and cultural history of cinema, focusing on cinema's audiences, the commercial activities of film exhibition and distribution, and the cinema as a site of social and cultural exchange.

If cinema history is to engage with broader social histories, this pioneering collection argues, it must concern itself not with the production of individual films, but with audiences, cinemagoing, and the role that cinema plays in culture at large. Bringing together a collection of essays written by scholars working on the leading edge of the field, this volume prompts us to question and revise our understanding of key periods of cinema history, and opens up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences.

Contributors describe the very different forms of cinema and the experiences they offer their audiences, from the luxurious first-run movie palaces and downmarket "grind houses" of the major metropolitan centres to the altogether different theatres in small-town and remote rural communities. Their essays employ empirical research methods such as the use of geographical information systems to provide illuminating insights into the uses of cinema, making this an engaging read for all students of film history and cinema studies.

About the Author :

Richard Maltby is Professor of Screen Studies and Executive Dean of the Faculty of Education, Humanities and Law at Flinders University, South Australia. He has written and edited several books and articles on cinema history, including Hollywood Cinema (Blackwell, 2003).

Daniel Biltereyst is Professor in Film and Media Studies at Ghent University, Belgium, and has written widely on the subject of film culture and controversy in the public sphere.

Philippe Meers is Associate Professor in Film and Media Studies at the University of Antwerp, Belgium. He has published variedly on historical and contemporary cinema culture and audiences.

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Edité par John Wiley and Sons Ltd, United Kingdom (2011)
ISBN 10 : 1405199504 ISBN 13 : 9781405199506
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Description du livre John Wiley and Sons Ltd, United Kingdom, 2011. Paperback. État : New. 1. Auflage. Language: English . Brand New Book. Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. * Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others * Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses * Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution * Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences * Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema. N° de réf. du libraire AAH9781405199506

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Richard Maltby (editor), Daniel Biltereyst (editor), Philippe Meers (editor)
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Description du livre John Wiley and Sons Ltd, United Kingdom, 2011. Paperback. État : New. 1. Auflage. Language: English . Brand New Book. Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. * Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others * Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses * Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution * Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences * Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema. N° de réf. du libraire AAH9781405199506

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Editor: Richard Maltby (Flinders University of South Australia); Editor: Daniel Biltereyst (University of Ghent); Editor: Philippe Meers (University of Antwerp)
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