Articles liés à Actor Movement: Expression of the Physical Being

Actor Movement: Expression of the Physical Being - Couverture souple

Livre 24 sur 48: Performance Books

Ewan, Vanessa; Green, Debbie

 
9781408134412: Actor Movement: Expression of the Physical Being

Synopsis

Actor Movement: Expression of the Physical Being is a textbook and video resource for the working actor, the student and all those who lead and witness movement for the actor, including movement tutors, movement directors and directors.

Great actors are not simply great interpreters of text; they are also great interpreters of movement; able to 'embody' all aspects of a character's life, with body and imagination as their instruments. In their work they are expected to become many bodies, all behaving differently from their own. Actors have to construct, inhabit and offer each character's body, with its multiplicity of known and unknown physical expression.

Featuring:
Over 155 exercises
Four full actor movement processes for creating character
Over 20 illustrations and images
Complementary online footage supporting 26 of the practical elements

Inspiring confidence in the actor to make fully owned physical choices and develop a love of movement, this essential new textbook is ideal for those actors seeking to give to their movement all the complexity and range possible for great acting.

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À propos des auteurs

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA.

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors.

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