A new edition of John Berger and Jean Mohr's classic investigation into the nature of photography and what makes it so different from other art forms
'One of the world's most influential art critics . Berger sees clearly with fresh surprise yet profound understanding' Washington Times
In one of the most eloquent accounts of photography ever devised, the writer John Berger and the photographer Jean Mohr set out to understand the fundamental nature of photography and how it makes its impact.
Asking a range of questions - What is a photograph? What do photographs mean? How can they be used? - they give their answers in terms of a photograph as 'a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photography are often contradictory'. From these beginnings they develop a theory of photography that has at its centre the form's essential ambiguity, arguing that photography is totally unlike a film and has nothing to do with reportage. Rather, it constitutes 'another way of telling'.
The unique combination of critic and photographer results in a work that moves beyond the landmarks established by Walter Benjamin, Roland Barthes and Susan Sontag to establish a new theory of photography.
This unique combination of words and pictures includes 230 photographs by Jean Mohr.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
John Berger was born in London in 1926. His many books, innovative in form and far-reaching in their historical and political insight, include To the Wedding, King, and the Booker Prize-winning novel, G. Amongst his outstanding studies of art and photography are Another Way of Telling, The Success and Failure of Picasso, Titian: Nymph and Shepherd (with Katya Berger), and the internationally acclaimed Ways of Seeing. He lived and worked in a small village in the French Alps, the setting for his trilogy Into Their Labours (Pig Earth, Once in Europa and Lilac and Flag). His collection of essays The Shape of a Pocket was published in 2001. His latest novel, From A to X, was published in 2008. The Three Lives of Lucie Cabrol, produced by Complicite and based on a story by Berger, toured for three years between 1994 and 1997. About Looking, published by Bloomsbury in April 2009, was the follow-up to the seminal Ways of Seeing, one of the most influential books on art in the 20th century. He died in early 2017.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Jean Mohr (illustrateur). pp. N° de réf. du vendeur 373363468
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Jean Mohr (illustrateur). Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 57563306-20
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. Jean Mohr (illustrateur). pp. N° de réf. du vendeur 18372681945
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Jean Mohr (illustrateur). A new edition of John Berger and Jean Mohr's classic investigation into the nature of photography and what makes it so different from other art forms'One of the world's most influential art critics . Berger sees clearly with fresh surprise yet profound understanding' Washington TimesIn one of the most eloquent accounts of photography ever devised, the writer John Berger and the photographer Jean Mohr set out to understand the fundamental nature of photography and how it makes its impact. Asking a range of questions - What is a photograph? What do photographs mean? How can they be used? - they give their answers in terms of a photograph as 'a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photography are often contradictory'. From these beginnings they develop a theory of photography that has at its centre the form's essential ambiguity, arguing that photography is totally unlike a film and has nothing to do with reportage. Rather, it constitutes 'another way of telling'.The unique combination of critic and photographer results in a work that moves beyond the landmarks established by Walter Benjamin, Roland Barthes and Susan Sontag to establish a new theory of photography.This unique combination of words and pictures includes 230 photographs by Jean Mohr. N° de réf. du vendeur LU-9781408864456
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Vendeur : Romtrade Corp., STERLING HEIGHTS, MI, Etats-Unis
Etat : New. Jean Mohr (illustrateur). This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide. N° de réf. du vendeur ABBB-252019
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Vendeur : Basi6 International, Irving, TX, Etats-Unis
Etat : Brand New. Jean Mohr (illustrateur). New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service. N° de réf. du vendeur ABEOCT25-364860
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. Jean Mohr (illustrateur). New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9781408864456
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. Jean Mohr (illustrateur). N° de réf. du vendeur ce4a9824ca2f4d5c9a5fae97b1c3987b
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Jean Mohr (illustrateur). Paperback. A new edition of John Berger and Jean Mohrs classic investigation into the nature of photography and what makes it so different from other art forms'One of the worlds most influential art critics Berger sees clearly with fresh surprise yet profound understanding' Washington TimesIn one of the most eloquent accounts of photography ever devised, the writer John Berger and the photographer Jean Mohr set out to understand the fundamental nature of photography and how it makes its impact. Asking a range of questions What is a photograph? What do photographs mean? How can they be used? they give their answers in terms of a photograph as a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photography are often contradictory. From these beginnings they develop a theory of photography that has at its centre the forms essential ambiguity, arguing that photography is totally unlike a film and has nothing to do with reportage. Rather, it constitutes another way of telling.The unique combination of critic and photographer results in a work that moves beyond the landmarks established by Walter Benjamin, Roland Barthes and Susan Sontag to establish a new theory of photography.This unique combination of words and pictures includes 230 photographs by Jean Mohr. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781408864456
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Jean Mohr (illustrateur). Num Pages: 304 pages. BIC Classification: AJ. Category: (G) General (US: Trade). Dimension: 198 x 153. . . 2017. Paperback. . . . . N° de réf. du vendeur V9781408864456
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