After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. Following an introductory section, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores; Giasone: Production and Interpretation; Making Librettos; and Cavalli Beyond Venice.
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Ellen Rosand, George A. Saden Professor of Music at Yale University, is the author of Opera in Seventeenth-Century Venice: the Creation of a Genre (1991) and Monteverdi's Last Operas: A Venetian Trilogy (2007). She is the general editor of the new Baerenreiter edition of the operas of Francesco Cavalli, a composer with whom she has been associated since her Ph.D. dissertation days.
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