This comprehensive book looks at the philosophical side of music - how it is connected with emotions and morals - before giving biographies of selected composers, looking at various instruments, and ending with a critique of music in England. The four main sections are: Philosophical, Biographical, Instrumental and Music in England. A very wide variety of subjects are covered - short biographies and analyses of the works of the great composers, origin of the violin, carillons, blind singers, the organ-grinder, string bands, brass bands, Belgium Bell-founders, violins, composers; an interesting mixture of essays and philosophical conjectures. Structured discussion of music around four books: 'Philosophical', 'Biographical' (Handel, Gluck, Haydn, Schubert, Mozart, et al) 'Instrumental and Music in England.
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Jftist Uoolx. MUSIC, EMOTION, AND MOKALS. i. FIE sun smiting through crystal drops shakes its white light into hluc, and red, and yellow fire ;and, as theL eads of fresh-fallen rain tremble in the wind, we may watch the primary colours of the rainbow combined and recombined with wondrous alchemy into more subtle flame of emerald, purple, and orange. A cloud passes over the sky, and in a moment every tiny globe hangs before us, scintillant still, but pale and colourless, with its one quiveringspeck of crystalline light. Then we can see with quiet eyes the metallic lustre upon the wide blue wings of theB razilian butterfly the green dissolving into glitter of rubies upon the breast of the humming-bird the long reaches of golden king-cups in June meadows, or opal tints upon wet shells and blown foam.
(Typographical errors above are due to OCR software and don't occur in the book.)
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