A pioneering work in literary history, this 1900 publication set up a typology for the study of the English novel, identifying the historical, romantic, novel of purpose, and the modern turn-of-the-century novel and showing how the idea of portraying the personality though fiction developed continually over some one hundred fifty years.
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In every discussion of tendencies the term evolution claims a place with almost the insistence of a prescriptive right. No other term localizes the phenomena so definitely, and conveys so promptly the notion of progress in a general line of tendency. Nevertheless, I think most of us would, if we could, rather avoid the term than insist upon it in literary discussion. For the use of the word evolution seems to involve a very elaborate theory.
(Typographical errors above are due to OCR software and don't occur in the book.)
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