A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side. In this work we follow the unnamed narrator of the story, who disillusioned by the oppression and corruption of the society in which he lives withdraws from that society into the underground. A dark and politically charged novel, "Notes From Underground" shows Dostoyevsky at his best.
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Webster's paperbacks take advantage of the fact that classics are frequently assigned readings in English courses. By using a running English-to-Wolof thesaurus at the bottom of each page, this edition of Notes from Underground by Fyodor Dostoyevsky was edited for three audiences. The first includes Wolof-speaking students enrolled in an English Language Program (ELP), an English as a Foreign Language (EFL) program, an English as a Second Language Program (ESL), or in a TOEFL� or TOEIC� preparation program. The second audience includes English-speaking students enrolled in bilingual education programs or Wolof speakers enrolled in English-speaking schools. The third audience consists of students who are actively building their vocabularies in Wolof in order to take foreign service, translation certification, Advanced Placement� (AP�) or similar examinations. By using the Webster's Wolof Thesaurus Edition when assigned for an English course, the reader can enrich their vocabulary in anticipation of an examination in Wolof or English.
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Notes from Underground, also translated as Notes from the Underground or Letters from the Underworld, is an 1864 novella by Fyodor Dostoyevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?. The second part of the book is called "Apropos of the Wet Snow", and describes certain events that, it seems, are destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.
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