Book by Chekhov Anton
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‘The Cherry Orchard’ is the last play by Russian playwright Anton Chekhov. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Constantin Stanislavski. Although Chekhov intended it as a comedy, and it does contain some elements of farce, Stanislavski insisted on directing the play as a tragedy. Since this initial production, directors have had to contend with the dual nature of the play. The play concerns an aristocratic Russian woman and her family as they return to their family estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage. While presented with options to save the estate, the family essentially does nothing and the play ends with the sale of the estate to the son of a former serf; the family leaves to the sound of the cherry orchard being cut down. The story presents themes of cultural futility – both the futile attempts of the aristocracy to maintain its status and of the bourgeoisie to find meaning in its newfound materialism. In reflecting the socio-economic forces at work in Russia at the turn of the 20th century, including the rise of the middle class after the abolition of serfdom in the mid-19th century and the sinking of the aristocracy, the play reflects forces at work around the globe in that period.
First performed at the Moscow Art Theatre in 1904, directed by Konstantin Stanislavsky, The Cherry Orchard remains a classic of the theatre. Completed less than a year before his death at the age of forty-four, Chekhov's last 'comedy' still ranks supreme as a human tragedy of dispossession with audiences and actors alike. Peter Gill's luminous version brings the psychological realism of Chekhov s characters into sharp focus; fragile souls poised on the brink of happiness which never comes, or trapped in a void between the old world and the new.
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