Articles liés à The Orchestral Instruments and What They Do: A Primer...

The Orchestral Instruments and What They Do: A Primer for Concert Goers - Couverture rigide

Mason, Daniel Gregory

 
9781432602802: The Orchestral Instruments and What They Do: A Primer for Concert Goers

Synopsis

The Orchestral Instruments and What They Do: A Primer for Concert Goers is a comprehensive guide to the various instruments that make up an orchestra, written by Daniel Gregory Mason. The book provides a detailed overview of each instrument, including its history, construction, and sound. Mason also delves into the role each instrument plays within the orchestra, as well as how they are used in different genres of music. The book is designed to help concert-goers better understand and appreciate the music they are listening to, by providing them with a deeper understanding of the individual instruments and their contributions to the overall sound of the orchestra. The Orchestral Instruments and What They Do is an essential resource for anyone interested in classical music, whether they are a seasoned concert-goer or a newcomer to the genre.1908. The object of this little book is to assist the concert-goer in recognizing the various orchestral instruments, both by sight and by hearing, and to stimulate his perception of the thousand and one beauties of orchestral coloring. As a help to the eye, the descriptions of the appearance of the instruments are supplemented by pictures; in order to help recognition by ear, the divers registers of instruments are discussed with some particularity; while it is hoped that the many figures showing excerpts from standard works will sharpen the reader's attentiveness to delicate shades of tonal effect.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

The object of this little book is to assist the concert-goer in recognizing the various orchestral instruments, both by sight and by hearing, and to stimulate his perception of the thousand and one beauties of orchestral coloring. As a help to the eye, the descriptions of the appearance of the instruments are supplemented by pictures; in order to help recognition by ear, the divers registers of instruments are discussed with some particular- ity; while it is hoped that the many figures showing excerpts from standard works will sharpen the readers attentiveness to delicate shades of tonal effect These excerpts should serve only as an introduction to full scores of a few standard works, which can now be bought at moderate prices in miniature size, and which are of the greatest use in defining and regulating the act of listening, even for those who can read music only in the most tentative, stumbling way. Suggestions are given inS ection XX as to the use of scores by those who can do no more than count time, recognize accents, and see whether the tune is going up or down.
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

Présentation de l'éditeur

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.