James Branch Cabell (1879-1958) wrote many of the Twentieth Century's finest fantasies, including the controversial Jurgen, which was famously banned by the New York Society for the Suppression of Vice. It was only after the furor died down that readers and critics were fully able to appreciate this was no mere sensationalist, but a literary artist of very high caliber. Cabell was above all else, an elegant stylist, whose gently caustic, beautifully fantasic comedies struck a chord in the Jazz A
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New Orleans has long J- been Carondelet street. There yon see the moat alert fages; noses it seems to one with more and sharper edge, and eyes smaller and brighter and with less distance between them than one notices in other streets. It is there that the stock and bond brokers hurry to and fro and ran together promiscuously the cunning and the simple, the headlong and the wary at the four clanging strokes of the Stock Exchange gong. There rises the tall facade of the Cotton Exchange. Looking in from the sidewalk as you pass, you see its main hall, thronged but decorous, the quiet engine-room of the surrounding citys most far-reaching occupation, and at the halls farther end you descry the Future Room, and hear the unearthly ramping and bellowing of the bulls and bears. Up and down the street, on either hand, are the ship-brokers and insurers, and in the upper stories foreign consuls among a multitude of lawyers and notaries.
(Typographical errors above are due to OCR software and don't occur in the book.)
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