Updated and expanded edition of the foundational text of women of color feminism.
Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”
Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world.
“Immense is my admiration for the ongoing dialogue and discourse on feminism, Indigenous feminism, the defining discussions in women of color movements and the broader movement. I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.” — Winona LaDuke (Anishinaabe), Executive Director, Honor the Earth
Praise for the Third Edition
“This Bridge Called My Back … dispels all doubt about the power of a single text to radically transform the terrain of our theory and practice. Twenty years after its publication, we can now see how it helped to untether the production of knowledge from its disciplinary anchors—and not only in the field of women’s studies. This Bridge has allowed us to define the promise of research on race, gender, class and sexuality as profoundly linked to collaboration and coalition-building. And perhaps most important, it has offered us strategies for transformative political practice that are as valid today as they were two decades ago.” — Angela Davis, University of California, Santa Cruz
“This Bridge Called My Back … has served as a significant rallying call for women of color for a generation, and this new edition keeps that call alive at a time when divisions prove ever more stubborn and dangerous. A much-cited text, its influence has been visible and broad both in academia and among activists. We owe much of the sound of our present voices to the brave scholars and feminists whose ideas and ideals crowd its pages.” — Shirley Geok-lin Lim, University of California, Santa Barbara
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
A poet, playwright, and cultural activist, Cherríe Moraga is Artist in Residence in the Department of Theater and Performance Studies and in the Comparative Studies in Race and Ethnicity Program at Stanford University. She is the author of many books, including A Xicana Codex of Changing Consciousness: Writings, 2000–2010 and Loving in the War Years: Lo que nunca pasó por sus labios. Gloria Anzaldúa (1942–2004) was a poet, metaphysical philosopher, and scholar of Chicana cultural theory, feminist theory, and queer theory. Her books include Borderlands/La Frontera: The New Mestiza and The Gloria Anzaldúa Reader, a posthumously published collection of her work.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Firefly Bookstore, Kutztown, PA, Etats-Unis
Trade Paperback. Etat : Used Very Good. Front and back covers have light edge and corner wear. Spine intact with no creasing or warping. Binding is tight and intact, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request. N° de réf. du vendeur 528051
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Vendeur : Weird Books, Napa, CA, Etats-Unis
paperback. Etat : Very Good. Very Good text and cover, minor reading wear to text and covers/edges. Fast shipping from Northern California via US MAIL. Most International orders shipped via DHL/Asendia. Additional postage may be required on oversize books and sets. Please, NO prison orders. N° de réf. du vendeur 2409100004
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Vendeur : Weird Books, Napa, CA, Etats-Unis
paperback. Etat : Good. Good text, a few pages have notes and underlining. Reading wear and light edge bend. Fast shipping from Northern California via US MAIL. Most International orders shipped via DHL/Asendia. Additional postage may be required on oversize books and sets. Please, NO prison orders. N° de réf. du vendeur 2410031001
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Paper Back. Etat : Very Good. N° de réf. du vendeur 378210
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Vendeur : Weird Books, Napa, CA, Etats-Unis
paperback. Etat : Very Good. Very Good text and cover, minor reading wear to text and covers/edges. Fast shipping from Northern California via US MAIL. Most International orders shipped via DHL/Asendia. Additional postage may be required on oversize books and sets. Please, NO prison orders. N° de réf. du vendeur 2506140023
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Vendeur : Textbook Bookie, Little Rock, AR, Etats-Unis
Paperback. Etat : Good. Book in Good condition. N° de réf. du vendeur 9781438454382-good
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. Finalist for the 2015 ForeWord INDIEFAB Book of the Year Award in the Anthologies CategoryBronze Medalist, 2016 Independent Publisher Book Awards in the Anthologies CategoryOriginally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherrie Moraga writes, "the complex confluence of identitiesrace, class, gender, and sexualitysystemic to women of color oppression and liberation."Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldua. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda Lopez, as well as current contributor biographies. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR009509041
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Vendeur : Omaha Library Friends, Omaha, NE, Etats-Unis
paperback. Etat : As New. Book is like new in all respects. Book was donated to Friends of Omaha Public Library. N° de réf. du vendeur 240127010
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Vendeur : Skoob-ebooks, Pontiac, QC, Canada
Softcover. Etat : Good. Average wear. No highlighting, underlining or margin notes. Cover has marks, slightly worn edges and dog-eared corners. 30-day returns. Free shipping in Canada. For shipments outside of Canada, import duties or other charges may be levied on receipt. ; 6 X 0.84 X 9 inches; 286 pages. N° de réf. du vendeur 6226
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Vendeur : BookMarx, Springfield, MO, Etats-Unis
Soft cover. Etat : Very Good. 4th Edition. N° de réf. du vendeur 035637
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