A personal narrative that explores madness through the use of literature, art, and philosophy to achieve lasting mental health without drugs.
“Twenty-two years ago, I lost my mind.” So begins Jeanne Ellen Petrolle’s fascinating personal narrative about her mental illness and recovery. Drawing on literature, art, and philosophy, Petrolle explores a unique understanding of madness that allowed her to achieve lasting mental health without using long-term psychiatric drugs.
Traditionally, Western literature, art, and philosophy have portrayed madness through six concepts created from myth—Escape into the Wild, Flight from a Scene of Terror, Visit to the Underworld, Dark Night of the Soul, Spiritual Passion, and Fire in the Mind. Rather than conceptualizing madness as “illness,” a mythopoetic concept assumes that madness contains symbolic meaning and offers valuable insight into human concerns like love, desire, sex, adventure, work, fate, spirituality, and God. Madness becomes an experience that unleashes extraordinary creativity by generating the spiritual insight that fuels artistic productivity and personal transformation. By weaving her personal experiences with the life stories and work of surrealist painter Leonora Carrington and modernist novelist Djuna Barnes, Petrolle shows how poetic thinking about severe mental distress can complement strategies for managing mental illness. This approach allowed her, and hopefully others, to produce better long-term treatment outcomes.
“This is an extraordinary book that combines meticulous literary scholarship with memoir. It bravely challenges us to reconsider and reframe mental illness, defined here as an ‘ultimate adventure in selfhood’ that connects to beauty, creativity, and the sublime. As it traces how skepticism of prevailing attitudes and treatments can save lives, Dancing with Ophelia is also, at its root, a deeply spiritual book that grapples with love, courage, ambition, and the idea of God.” — Aviya Kushner, author of The Grammar of God: A Journey into the Words and Worlds of the Bible
“This book offers an interesting and engagingly written exploration of mental distress that draws on a range of literary and scholarly sources in combination with personal experience. It sits within the small, but growing, body of work that interweaves personal narrative with an academic analysis of ‘illness’ or disruption.” — Deborah Bowman, coauthor of Informed Consent: A Primer for Clinical Practice
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jeanne Ellen Petrolle is Associate Professor of English and Cultural Studies at Columbia College Chicago and the author of Religion without Belief: Contemporary Allegory and the Search for Postmodern Faith, also published by SUNY Press.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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paperback. Etat : Very Good in Wrappers. No Jacket. First Edition. Albany. 2018. March 2018. SUNY Press. 1st Paperback Edition. Very Good in Wrappers. 9781438468785. Excelsior Editions. 6 x 9. 200 pages. paperback. keywords: Biography & Autobiography Literary Figures. DESCRIPTION - Twenty-two years ago, I lost my mind. So begins Jeanne Ellen Petrolle's fascinating personal narrative about her mental illness and recovery. Drawing on literature, art, and philosophy, Petrolle explores a unique understanding of madness that allowed her to achieve lasting mental health without using long-term psychiatric drugs. Traditionally, Western literature, art, and philosophy have portrayed madness through six concepts created from myth - Escape into the Wild, Flight from a Scene of Terror, Visit to the Underworld, Dark Night of the Soul, Spiritual Passion, and Fire in the Mind. Rather than conceptualizing madness as illness, a mythopoetic concept assumes that madness contains symbolic meaning and offers valuable insight into human concerns like love, desire, sex, adventure, work, fate, spirituality, and God. Madness becomes an experience that unleashes extraordinary creativity by generating the spiritual insight that fuels artistic productivity and personal transformation. By weaving her personal experiences with the life stories and work of surrealist painter Leonora Carrington and modernist novelist Djuna Barnes, Petrolle shows how poetic thinking about severe mental distress can complement strategies for managing mental illness. This approach allowed her, and hopefully others, to produce better long-term treatment outcomes. This is an extraordinary book that combines meticulous literary scholarship with memoir. It bravely challenges us to reconsider and reframe mental illness, defined here as an 'ultimate adventure in selfhood' that connects to beauty, creativity, and the sublime. As it traces how skepticism of prevailing attitudes and treatments can save lives, Dancing with Ophelia is also, at its root, a deeply spiritual book that grapples with love, courage, ambition, and the idea of God. - Aviya Kushner, author of The Grammar of God: A Journey into the Words and Worlds of the Bible. This book offers an interesting and engagingly written exploration of mental distress that draws on a range of literary and scholarly sources in combination with personal experience. It sits within the small, but growing, body of work that interweaves personal narrative with an academic analysis of 'illness' or disruption. - Deborah Bowman, coauthor of Informed Consent: A Primer for Clinical Practice inventory #43431. N° de réf. du vendeur z43431
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