History of English Humour: With an Introduction Upon Ancient Humour, Vol. 2 of 2 (Classic Reprint) - Couverture souple

L'Estrange, L'Estrange

 
9781440054365: History of English Humour: With an Introduction Upon Ancient Humour, Vol. 2 of 2 (Classic Reprint)

Synopsis

Explore the sly art of parody and burlesque that shaped English humor across centuries, from sacred texts to satirical verse.

Paragraph: This volume surveys how parody and burlesque evolved, showing how writers used imitation to entertain, critique, or illuminate great works. It covers the origins and uses of parody, the line between playful homage and mockery, and the way humour has reflected religious and literary culture. Through notable examples and thoughtful commentary, the book traces the dynamic between original texts and their clever emulations, revealing why some parodies endure while others fade.

Paragraph: You’ll discover how parody served as a lens on society, the pressures creators faced, and the delicate balance between wit and offense. The discussion includes discussions of iconic pieces, historical contexts, and the changing taste that influenced comedic form over time. Whether you’re curious about literary history or the roots of modern humor, this edition provides clear, accessible insight.


  • Definition and scope of burlesque and parody, with examples from classic authors.

  • How imitation can enhance or diminish the original work’s impact.

  • Historical cases of parody in religion, classical literature, and political satire.

  • Thoughtful commentary on audience reception and the limits of humour.



Closing line: Ideal for readers of literary history and fans of humor who want a deeper understanding of how parody has shaped English wit.

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Présentation de l'éditeur

Cj Burlesque Parody The Splendid Shilling Prior Pope Ambrose Philips Parodies of Gray s Elegy Gay. BURLESQUE, that is comic imitation, comprises parody and caricature. The latter is a valuable addition to humorous narrative, as we see in the sketches of Gillray, Cruikshank and others. By itself it is not sufficiently suggestive and affords no story or conversation. Hence in the old caricatures the speeches of the characters were written in balloons over their heads, and in the modern an explanation is added underneath. For want of such assistance we lose the greater part of the humour in Hogarth spaintings. We may date the revival of Parody from the fifteenth century, although Dr. Johnson speaks as though it originated with Philips. Notwithstanding the great scope it affords for humorous invention, it has never become popular, nor formed an important branch of VOL. II.
(Typographical errors above are due to OCR software and don't occur in the book.)

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Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

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