A sharp, witty look at youth, art, and how we chase meaning in life, love, and culture.
Hazlitt’s essays here explore the pull of youth, the lure of novelty, and the tide of ideas that shape how we see art, society, and ourselves. With clear, accessible prose, the selection examines why we cling to possibility, how national tastes shape our responses to beauty, and how habit and imagination interact in the practice of thinking and doing. The book moves between reflections on mortality and celebrations of discovery, offering thoughtful observations on how we experience the world and what we value in art, performance, and daily life.
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On the Pleasure of Painting. There is a pleasure in painting which none but painters know. In writing, you have to contend with the world; in painting, you have only to carry on a friendly strife with Nature. You sit down to your task, and are happy. From the moment that you take up the pencil, and look Nature in the face, you are at peace with your own heart. No angry passions rise to disturb the silent progress of the work, to shake the hand, or dim the brow: no irritable humours are set afloat: you have no absurd opinions to combat, no point to strain, no adversary to crush, no fool to annoy you are actuated by fear or favour to no man. There is no juggling here, no sophistry, no intrigue, no tampering with the evidence, no attempt to make black white, or white black :but you resign yourself into the hands of a greater power, that of Nature, with the simplicity of a child, and the devotion of an enthusiast study with joy her manner, and with rapture taste her style. The mind is calm, and full at the same time. The hand and eye are equally employed In tracing the commonest object, a plant or the stump of a tree, you learn something every moment. You perceive unexpected differences, and discover likenesses where you looked for no such thing. You try to set down what you see find out your error, and correct it.
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text.
William Hazlitt (10 April 1778 – 18 September 1830) was an English writer, remembered for his humanistic essays and literary criticism, and as an art critic, drama critic, social commentator, and philosopher. He was also a painter. He is now considered one of the great critics and essayists of the English language, placed in the company of Samuel Johnson and George Orwell. Yet his work is currently little read and mostly out of print. During his lifetime he befriended many people who are now part of the 19th-century literary canon, including Charles and Mary Lamb, Stendhal, Samuel Taylor Coleridge, and William Wordsworth.
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