Leading film and Israeli studies scholars look at the aesthetic and ethical choices Israeli cinema makes in its engagement with trauma and memory.
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Raz Yosef is associate professor in the Department of Film and Television at Tel-Aviv University. His work on gender, sexuality and ethnicity in Israeli visual culture has appeared in GLQ, Third Text, Shofar, Framework and Camera Obscura. He is author of Beyond Flesh: Queer Masculinities and Nationalism in Israeli Cinema (2004); To Know a Man: Sexuality, Masculinity and Ethnicity in Israeli Cinema (2010); The Politics of Loss and Trauma in Contemporary Israeli Cinema (forthcoming 2011).
Boaz Hagin teaches at the Film and Television Department at Tel Aviv University in Israel. His articles have been published in Cinema Journal and Camera Obscura, and he is assistant editor of Science in Context.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention.Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today. In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts (or striving to offer a more complete and accurate depiction of the past), Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention. Tracing a long line of films from as early as 1934, the contributors use close readings of these films to not only reconstruct the past, but to actively engage with it. Using films not usually studied, like A Film Unfinished (2010), Happy Birthday Mr. Mograbi (1999), and A Hole in the Moon (1965), Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781441162199
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Hardcover. Etat : new. Hardcover. In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention.Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today. In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts (or striving to offer a more complete and accurate depiction of the past), Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention. Tracing a long line of films from as early as 1934, the contributors use close readings of these films to not only reconstruct the past, but to actively engage with it. Using films not usually studied, like A Film Unfinished (2010), Happy Birthday Mr. Mograbi (1999), and A Hole in the Moon (1965), Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781441162199
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorRaz Yosef is Senior Lecturer and the chair of the cinema studies B.A. Program at the Department of Film and Television, Tel Aviv University. He is the author of Beyond Flesh: Queer Masculinities and Nationalism in Isra. N° de réf. du vendeur 595845100
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