While a slender body is a prerequisite for beauty today, plump women were considered ideal in Tang Dynasty China and Heian-period Japan. Starting around the Southern Song period in China, bound feet symbolized the attractiveness of women. But in Japan, shaved eyebrows and blackened teeth long were markers of loveliness.
For centuries, Japanese culture was profoundly shaped by China, but in complex ways that are only now becoming apparent. In this first full comparative history of the subject, Cho Kyo explores changing standards of feminine beauty in China and Japan over the past two millennia. Drawing on a rich array of literary and artistic sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in representations of beauty. Through fiction, poetry, art, advertisements, and photographs, the author vividly demonstrates how criteria of beauty differ greatly by era and culture and how aesthetic sense changed in the course of extended cultural transformations that were influenced by both China and the West.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Cho Kyo is professor of comparative culture and literature in the School of Global Japanese Studies at Meiji University, Japan and a guest professor at the International Research Center for Japanese Studies (Nichibunken). Among his recent publications are The Pitfall in Cultural Understanding (Ibunka rikai no otoshiana), Crossing the Border: A New Aspect of Modern Japanese Literature (Umi wo koeru Nihon bungaku), A Cultural History of Emotion in Chinese Literature and Culture (Jo no bunkashi), and Glimpses of East Asian Literature and Culture (Ajia wo yomu). He also serves as a regular book reviewer for the Mainichi.
Kyoko Iriye Selden (1936-2013) was coeditor of More Stories by Japanese Women Writers: An Anthology, the sequel to Japanese Women Writers: Twentieth Century Short Fiction. Her other translations included Honda Katsuichi's Harukor: An Ainu Woman's Tale, Kayano Shigeru's Our Land Was a Forest, and The Atomic Bomb: Voices from Hiroshima and Nagasaki. She taught Japanese language at Cornell University until her retirement.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : More Than Words, Waltham, MA, Etats-Unis
Etat : Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping. N° de réf. du vendeur WAL-J-6g-001714
Quantité disponible : 1 disponible(s)
Vendeur : Fox and Tome Books, Frederick, MD, Etats-Unis
Hardback. Etat : Good. Etat de la jaquette : Good. Shows minor wear to the cover and pages. Pages have highlighting/margin notes/underlining or any combination. The binding is fully intact and secure. This is a good reading or studying copy and has been verified that all pages are legible. 100% satisfaction guaranteed! --- Kyo Cho's comparative cultural history traces how ideals of feminine beauty in China and Japan were formed and how they changed over time, read through literary and artistic portrayals of beautiful women. It is translated from the Japanese original, Bijo towa nanika: Nitchu bijin no bunkashi. A prologue and epilogue frame chapters on favored appearances, feared beauties, the rhetoric of representation, and beauty as a construct. Further chapters set Chinese verse and prose beside Japanese literature, follow how aesthetic views echoed between the two cultures, and treat Edo culture as a filter. The last chapter, "Until Naomi Was Born," follows Western influence on Japan. The text discusses bound feet in China and blackened teeth in Japan, and the modern rise of the double eyelid and slenderness as standards. Illustrated, with bibliography and index. Feel free to ask for photos or more detail. N° de réf. du vendeur 260828-shelf-29-015
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 18953254-n
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9781442218932
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9781442218932
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 18953254
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 18953254-n
Quantité disponible : Plus de 20 disponibles
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. While a slender body is a prerequisite for beauty today, plump women were considered ideal in Tang Dynasty China and Heian-period Japan. Starting around the Southern Song period in China, bound feet symbolized the attractiveness of women. But in Japan, shaved eyebrows and blackened teeth long were markers of loveliness.For centuries, Japanese culture was profoundly shaped by China, but in complex ways that are only now becoming apparent. In this first full comparative history of the subject, Cho Kyo explores changing standards of feminine beauty in China and Japan over the past two millennia. Drawing on a rich array of literary and artistic sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in representations of beauty. Through fiction, poetry, art, advertisements, and photographs, the author vividly demonstrates how criteria of beauty differ greatly by era and culture and how aesthetic sense changed in the course of extended cultural transformations that were influenced by both China and the West. Translation of: Bijo to wa nani ka: nitchau bijin no bunkashi / Chao Kyao. -- Tokyo: Shobunsha, 2001. -- 464, x, p.: ill.; 20 cm. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781442218932
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 18953254
Quantité disponible : Plus de 20 disponibles
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. While a slender body is a prerequisite for beauty today, plump women were considered ideal in Tang Dynasty China and Heian-period Japan. Starting around the Southern Song period in China, bound feet symbolized the attractiveness of women. But in Japan, shaved eyebrows and blackened teeth long were markers of loveliness.For centuries, Japanese culture was profoundly shaped by China, but in complex ways that are only now becoming apparent. In this first full comparative history of the subject, Cho Kyo explores changing standards of feminine beauty in China and Japan over the past two millennia. Drawing on a rich array of literary and artistic sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in representations of beauty. Through fiction, poetry, art, advertisements, and photographs, the author vividly demonstrates how criteria of beauty differ greatly by era and culture and how aesthetic sense changed in the course of extended cultural transformations that were influenced by both China and the West. Translation of: Bijo to wa nani ka: nitchau bijin no bunkashi / Chao Kyao. -- Tokyo: Shobunsha, 2001. -- 464, x, p.: ill.; 20 cm. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781442218932
Quantité disponible : 1 disponible(s)