Combining work from established film critics and the very freshest of voices, this collection brings to bear a wide range of cultural and disciplinary backgrounds on one of the most intriguing films of the twentieth century.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Colin MacCabe is Distinguished Professor of English and Film at the University of Pittsburgh and Associate Director of the London Consortium. His books include The Eloquence of the Vulgar Cinema, Language and Politics (1999), Godard: A Portrait of the Artist at 70 (2004), T.S. Eliot (2006), and The Butcher Boy (2007). He has also produced feature films, television documentaries and installations, his most recent films are Derek (2008) and Ways of Listening (2012).
Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London. She has written extensively on film and film theory. Her books include Fetishism and Curiosity (1996), Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Experimental British Television (edited with Jamie Sexton, 2007), and Visual and Other Pleasures (2nd edition, 2009). She has co-directed films, including Riddles of the Sphinx (1978) and Frida Kahlo and Tina Malatti (1980), as well as the documentary Disgraced Monuments (1996).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Combining work from established film critics and the very freshest of voices, this collection brings to bear a wide range of cultural and disciplinary backgrounds on one of the most intriguing films of the twentieth century. Features contributions from a wide range of cultural and disciplinary backgroundsEssays are brought together to form the basis of a new analysis of one of the most intriguing films of the twentieth centuryIncorporates essays from students studying in the London Consortium, a partnership of five institutions including the Architectural Association, Birkbeck, University of London, the Institute of Contemporary Arts, the Science Museum, and the TateContains an introduction and post-script from the editors The essays collected in Godard's Contempt construct a framework for a renewed set of questions and analyses of Godard's great modern classic. Drawing on work by young scholars from the London Consortium, the essays benefit from their wide range of disciplinary and cultural backgrounds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781444339314
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Paperback. Etat : New. Combining work from established film critics and the very freshest of voices, this collection brings to bear a wide range of cultural and disciplinary backgrounds on one of the most intriguing films of the twentieth century. Features contributions from a wide range of cultural and disciplinary backgroundsEssays are brought together to form the basis of a new analysis of one of the most intriguing films of the twentieth centuryIncorporates essays from students studying in the London Consortium, a partnership of five institutions including the Architectural Association, Birkbeck, University of London, the Institute of Contemporary Arts, the Science Museum, and the TateContains an introduction and post-script from the editors. N° de réf. du vendeur LU-9781444339314
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