Frances Leviston's first collection, Public Dream, was one of the most acclaimed debuts of recent years, and praised for combining 'technical mastery with a lucidity that verges on the hypnotic' (Independent).
Leviston's keenly-anticipated second book sees both an intellectual and dramatic intensification of her project. We often credit poetry as a kind of truth-telling, but it can also be an agent and a vessel of disinformation: in the course of making its proofs and confessions, it also seeks to persuade and seduce by any means it can. Leviston uses both sides of poetry's tongue to address one of the key questions of the age: how have we come to know what we think we know? In the title poem, a woman preparing for a child's birthday party suddenly glimpses the invisible screen of false data behind which she lives - and her own complicity in its power. Many of these poems are concerned with ruined or abandoned structures, dismembered and disappearing bodies, constructed and deconstructed identities; behind them lie the false gods who manipulate the streams of information with which we must navigate the contemporary world. In Leviston's inimitably vivid and vital language,Disinformation challenges us to rescue our idea of identity from that mass of glib truth and persistent falsehood - and proposes how we might begin to think of poetry itself as a means to that end.
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Frances Leviston was born in Edinburgh in 1982 and later moved to Sheffield. She read English at St Hilda's College, Oxford, and has an MA in Writing from Sheffield Hallam University. A pamphlet of her work, Lighter, was published in 2004 by Mews Press, and became the PBS Bulletin's Pamphlet Choice for Spring 2005. Her poems have appeared in various magazines and anthologies including New Writing 14, Poetry Review, Poetry London, Ten Hallam Poets and the TLS. She received an Eric Gregory Award in 2006.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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Paperback. Etat : New. Frances Leviston's first collection, Public Dream, was one of the most acclaimed debuts of recent years, and praised for combining 'technical mastery with a lucidity that verges on the hypnotic' (Independent).Leviston's keenly-anticipated second book sees both an intellectual and dramatic intensification of her project. We often credit poetry as a kind of truth-telling, but it can also be an agent and a vessel of disinformation: in the course of making its proofs and confessions, it also seeks to persuade and seduce by any means it can. Leviston uses both sides of poetry's tongue to address one of the key questions of the age: how have we come to know what we think we know? In the title poem, a woman preparing for a child's birthday party suddenly glimpses the invisible screen of false data behind which she lives - and her own complicity in its power. Many of these poems are concerned with ruined or abandoned structures, dismembered and disappearing bodies, constructed and deconstructed identities; behind them lie the false gods who manipulate the streams of information with which we must navigate the contemporary world. In Leviston's inimitably vivid and vital language,Disinformation challenges us to rescue our idea of identity from that mass of glib truth and persistent falsehood - and proposes how we might begin to think of poetry itself as a means to that end. N° de réf. du vendeur LU-9781447271147
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Paperback. Etat : new. Paperback. Frances Leviston's first collection, Public Dream, was one of the most acclaimed debuts of recent years, and praised for combining 'technical mastery with a lucidity that verges on the hypnotic' (The Independent).Leviston's keenly-anticipated second book sees both an intellectual and dramatic intensification of her project.We often credit poetry as a kind of truth-telling, but it can also be an agent and a vessel of disinformation: in the course of making its proofs and confessions, it also seeks to persuade and seduce by any means it can. Leviston uses both sides of poetry's tongue to address one of the key questions of the age: how have we come to know what we think we know? In the title poem, a woman preparing for a child's birthday party suddenly glimpses the invisible screen of false data behind which she lives - and her own complicity in its power. Many of these poems are concerned with ruined or abandoned structures, dismembered and disappearing bodies, constructed and deconstructed identities; behind them lie the false gods who manipulate the streams of information with which we must navigate the contemporary world. In Leviston's inimitably vivid and vital language, Disinformation challenges us to rescue our idea of identity from that mass of glib truth and persistent falsehood - and proposes how we might begin to think of poetry itself as a means to that end. The compelling new poetry collection from the T S Eliot Prize shortlisted poet Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781447271147
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 80 pages. 8.00x6.00x0.10 inches. In Stock. N° de réf. du vendeur __1447271149
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