IT may be thought by some that this book
demands an apology. Mr. G. K. Chesterton
is still a young man, not much over thirty. In
all reasonable probability much of his best work
lies before him. His opinions may undergo a
considera hIe change before he dies; his style
may develop; he may attempt all sorts of new
artistic experiments. Why, then, it may be asked,
try to sum him up at a time when in the nature
of things he cannot be summed up? Why not
wait till he is dead, perhaps till he has been dead
for some twenty years, when the world will have
decided whether he is really worth writing a book
about at all ?
I admit the force of such arguments. But I
submit that (waiving the point that if I waited
till Mr. Chesterton we.r e dead I might quite IX
Table of Contents
PREFACE; CHAPTER I; ORIGINS; CHAPTER II; THE FIRST PHASE; CHAPTER III; A CRITIC OF LETTERS; CHAPTER IV; THE DRIFT TOWARDS ORTHODOX,; CHAPTER V; THE ASSAULT O~ THE MODERNS; CHAPTER VI; G K C AS ANTI·LIBERAL; CHAPTER VII; A TELLER OF TALES; CHAPTER VI I I; THE GLADIATOR AS ARTIST; CHAPTER IX; THE PERSONAL EQUATION; PAGE; IX; I; 95; · 124; • 162; · 222
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the difficult to read text.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
IT may be thought by some that this book
demands an apology. Mr. G. K. Chesterton
is still a young man, not much over thirty. In
all reasonable probability much of his best work
lies before him. His opinions may undergo a
considera hIe change before he dies; his style
may develop; he may attempt all sorts of new
artistic experiments. Why, then, it may be asked,
try to sum him up at a time when in the nature
of things he cannot be summed up? Why not
wait till he is dead, perhaps till he has been dead
for some twenty years, when the world will have
decided whether he is really worth writing a book
about at all ?
I admit the force of such arguments. But I
submit that (waiving the point that if I waited
till Mr. Chesterton we.r e dead I might quite IX
Table of Contents
PREFACE; CHAPTER I; ORIGINS; CHAPTER II; THE FIRST PHASE; CHAPTER III; A CRITIC OF LETTERS; CHAPTER IV; THE DRIFT TOWARDS ORTHODOX,; CHAPTER V; THE ASSAULT O~ THE MODERNS; CHAPTER VI; G K C AS ANTI·LIBERAL; CHAPTER VII; A TELLER OF TALES; CHAPTER VI I I; THE GLADIATOR AS ARTIST; CHAPTER IX; THE PERSONAL EQUATION; PAGE; IX; I; 95; · 124; • 162; · 222
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the difficult to read text.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book delves into the life and works of a prominent writer, exploring how his ideas developed within a specific historical and intellectual context. The author provides an intimate portrait of the writer's formative years, tracing his literary influences from the works of Whitman and Stevenson to the political and social issues that shaped his early writing. The book examines the writer's early embrace of the democratic spirit of Whitman, his evolving relationship with faith and tradition, and his fierce defense of patriotism during the Boer War. Through detailed analysis of the writer's poetry and essays, the author sheds light on the development of the writer's distinctive voice and his passionate advocacy for social justice and national identity. The book's insights offer a valuable perspective on the intellectual and social currents of the late 19th and early 20th centuries, revealing how a writer's personal experiences, beliefs, and artistic vision can be deeply intertwined with the broader political and cultural landscape of his time. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781451002058_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781451002058
Quantité disponible : 15 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781451002058
Quantité disponible : 15 disponible(s)
Vendeur : moluna, Greven, Allemagne
Kartoniert / Broschiert. Etat : New. KlappentextrnrnExcerpt from Gilbert K. Chesterton: A CriticismAnother object is to estimate Mr. Chesterton s value as a literary artist. This object naturally falls within the scope of the other, for Mr. Chesterton s artistic talents are. N° de réf. du vendeur 2148623391
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