Explore a detailed, contemporary view of Wagner’s world and his reception. This volume compiles critical notices, letters, and commentary from the mid-19th century to illuminate the composer’s life and influence.
In these pages, readers see how Wagner was discussed by critics, concert organizers, and fellow musicians. The book captures debates about performance style, conducting, and the evolving public image of Wagner’s works, alongside broader musical and cultural context of the era.
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Fausfs life-weariness. Zurich String-quartet; Beethovenh op. 131. Carolyszfs Rheingold indiscretion andS chumann articles; Cornelius translator. Resuscitation of an earlier overture :F aust in solitude, noG retchen. Billow sanalysis. Thematic details ;problems of the revision. The tone-poem conducted at Zurich ;its reception elsewhere. Und so ist mir dasD asein eine Last, Dcr Tod erwunscht, das Leben mir verhasst. Goethe sF aust. The motto chosen for his revised FAUST-overture exactly pictures Wagner smood when entering the year 1855. Last November he had written Princess Carolyne Sayn-W ittgenstein: tI treally is too sad that I should have to live in this desert, cut off from you and Liszt. Whatever you may say enjoining patience, and however many grievances may weigh upon yourselves, neither do you experience nor can you form a notion of the killing solitude to which I am condemned .. .T rue, I have been pottering away at theW alkiire, but it goes much slower than I thought at first. What I draft in the end is certainly the best that lies within my power; only, with my desolate life, the moods for work come ever rarer. So long as I wrote books and turned out verses, things might go :for music And so my whole existence is awry, life hateful, and my one desire to die. tF rom a group of nine letters published in theB ayreuther Blatter ]xy 1905 ;a kind of supplement to theW agner-L iszt Correspondence. This one begins with thanks for kindness shewn toM inna at the Altenburg in October (see vol. iv, 339 et seq.). In the case of various allusions in the text above I have to assume the readers familiarity with my Introduction to the letters of Richard Wagner toM athilde Wesendonck, published (H. Grevel Co., London) in the interval between this volume and vol. iv.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Forgotten Books is a publisher of historic
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book delves into the life and career of the renowned composer Richard Wagner, shedding light on his journey from obscurity to the heights of musical stardom. It explores his relationships with other influential figures, including Franz Liszt and Princess Carolyne Sayn-Wittgenstein, and examines the inspirations and motivations behind his groundbreaking compositions. The author also delves into the social and intellectual climate of Wagner's time, providing context for his artistic innovations and the controversies surrounding them. This captivating work offers a comprehensive understanding of Wagner's genius and his profound impact on the world of opera and classical music. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781451004717_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781451004717
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781451004717
Quantité disponible : 15 disponible(s)