Foundations of Harmony traces how tonal theory grew from its acoustical roots to modern understanding.
It challenges assumptions about harmony by examining the ideas that shaped the field from Rameau through later theorists. This book surveys a long history of theory, showing how musicians and scholars debated whether harmony rests in physical phenomena or in human interpretation. It blends historical context with clear analysis, helping readers see how ideas evolved and why they matter for today’s music.
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The present work might be described as, to some extent, a contribution to the history of the theory of harmony. Notwithstanding the extensive and highly speciahzed hterature which we possess, deahng with the history and the art of music, a hterature which of late years has been enormously enriched, comparatively little attention has been given to the history and development of the theory of harmony, which, ever since the time of Rameau, has been considered b} musicians themselves to be intimatehconnected with the art of music. Coussemaker sH istoire de rharmonie du moyen-dge has to do with the history of the art of music during theM iddle A ges, rather than with its theory. The Esqnisse de I histoire de I harmonie ofF etis is a real histor- of harmonic theory, and of harmonic systems. But it is, from various points of view, inadequate. It would be quite impossible, for example, to gain from the brochure ofF etis any real acquaintance with Rameau stheoretical achievements, or the nature of his researches in the domain of harmony; while Zarlino is dismissed with the remark that he is unable to present to us any synoptic science of chords !W ith regard toD r. Riemann simportant work, Geschichte derM usiktheorie ini IX.-XIX Jahrhnnderi, it is evident that its author does not consider it to be a history of the theory of harmony, since he makes no attempt even to summarize the systems of such distinguished theorists as Tartini, Hauptmann, andF etis, as well as of other theorists.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Paperback. Etat : New. Print on Demand. This book delves into the fascinating history of harmony in Western music, tracing its evolution from the foundational consonances of ancient Greek music to the complex harmonic systems of later eras. The author examines the groundbreaking work of theorists like Zarlino, Descartes, and most notably, Jean-Philippe Rameau, whose theories, based on acoustical principles, revolutionized the understanding of harmony. By analyzing Rameau's various works on harmony, the author unravels the intricate web of his ideas, including his groundbreaking concept of the fundamental bass, which formed the basis for later theories of chord inversion. The book also explores the impact of figured bass schools and the emergence of new harmonic concepts, such as the chord of the seventh and the diminished triad, which expanded the harmonic vocabulary of composers. Ultimately, this book offers a profound exploration of the historical and theoretical underpinnings of harmony, revealing the enduring power of Rameau's insights and the rich tapestry of ideas that have shaped our understanding of music. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781451015348_0
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