A sharp, readable collection of essays on art, criticism, and the social life of taste that blends wit with observation.
The book gathers essays that mix criticism with lively, sometimes parodic prose. It moves beyond simple genre labels, showing how journalism, poetry, and prose can shape our thinking about art and culture. Through lively scenes and thoughtful commentary, it surveys museums, fashion in taste, and the people who influence what we value.
From the workings of galleries and collectors to the ideas about architecture, decadence, and public judgment, the author uses clear, approachable language to ask why we admire what we do. The pieces read as a cohesive exploration of how art matters in daily life, not just in galleries or libraries.
Ideal for readers who enjoy accessible, idea-driven essays about art, criticism, and the many voices that shape culture.
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The author wishes to express his indebtedness, to Messrs. Smith, Elder for leave to reproduce AC ase at the Museum, which appeared in the Cornnil of October, 1900; to the Editor of the Westminster gazette, which first published the account of Simeon Solomon ;and to the former proprietors of the Wilsford Press, for kindly allowing other articles to be here reissued. How we Lost the Book of Jasher and The Brand of I sis were contributed to two defunct undergraduate publications, The Spirit Lamp and The Oxford Point of fieiv.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. Weaving together essays and criticism, and delving into archeology, literature, and philosophy, this book considers the evolving nature of the aesthetic experience and how art affects humanity. The author explores how our appreciation of art and beauty is shaped as much by the present as by the past, and how our understanding of the art of the past evolves with time. In considering the life and work of personalities such as Aubrey Beardsley and A.C. Swinburne, and in examining the phenomenon of our fascination with the ancient world, the author prompts us to question what constitutes artistic genius and what it means to be an artist in today's world. By contrasting the work of Oscar Wilde and Walt Whitman, the author delves into the competing ideologies of aestheticism and humanitarianism, reflecting on their continued relevance to our understanding of ourselves. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781451019216_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781451019216
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781451019216
Quantité disponible : 15 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 330 pages. 9.00x6.00x0.75 inches. This item is printed on demand. N° de réf. du vendeur zk1451019211
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