Volume 4 of the journal Glossator: Practice and Theory of the Commentary. Occitan Poetry. Edited by Anna Kłosowska and Valerie Wilhite. CONTENTS Valerie M. Wilhite A/ESPIRAR: THE LOST SIGH OF THE TROUBADOUR TRADITION Anna Kłosowska INTRODUCTION Cary Howie INEXTRICABLE Bill Burgwinkle RHETORIC AND ETHICS IN SORDELLO'S “ENSENHAMEN D'ONOR” Isabel de Riquier & Andreu Comas FAMILY MATTERS Miriam Cabré WHO ARE CERVERÍ'S WORST ENEMIES? Simone Marchesi DANTE ALIGHIERI, PURGATORIO XXVI.139-148 Huw Grange A MUSICO-LITERARY COMMENTARY ON BERNART DE VENTADORN'S “QUAN VEI LA LAUDETA MOVER” Marion Coderch “LO ROSSINHOLS S’ESBAUDEYA” (70, 29): BERNART DE VENTADORN, COURTLY ETHICS, AND THE CATALAN TRADITION Luke Sunderland MARCABRU IN MOTION: “DIRE VOS VUOILL SES DUPTANSSA” IN CHANSONNIERS A AND C, AND IN MATFRE ERMENGAUD’S BREVIARI D'AMOR Wendy Pfeffer THE PASSION OF OCCITAN Virginie Greene SUITE PROVENÇALE FOR OCARINA, TRIANGLE, AND POWERPOINT Glossator publishes original commentaries, editions and translations of commentaries, and essays and articles relating to the theory and history of commentary, glossing, and marginalia. The journal aims to encourage the practice of commentary as a creative form of intellectual work and to provide a forum for dialogue and reflection on the past, present, and future of this ancient genre of writing. By aligning itself, not with any particular discipline, but with a particular mode of production, Glossator gives expression to the fact that praxis founds theory. GLOSSATOR.ORG
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Volume 4 of the journal Glossator: Practice and Theory of the Commentary. Occitan Poetry. Edited by Anna Kłosowska and Valerie Wilhite. CONTENTS Valerie M. Wilhite A/ESPIRAR: THE LOST SIGH OF THE TROUBADOUR TRADITION Anna Kłosowska INTRODUCTION Cary Howie INEXTRICABLE Bill Burgwinkle RHETORIC AND ETHICS IN SORDELLO'S “ENSENHAMEN D'ONOR” Isabel de Riquier & Andreu Comas FAMILY MATTERS Miriam Cabré WHO ARE CERVERÍ'S WORST ENEMIES? Simone Marchesi DANTE ALIGHIERI, PURGATORIO XXVI.139-148 Huw Grange A MUSICO-LITERARY COMMENTARY ON BERNART DE VENTADORN'S “QUAN VEI LA LAUDETA MOVER” Marion Coderch “LO ROSSINHOLS S’ESBAUDEYA” (70, 29): BERNART DE VENTADORN, COURTLY ETHICS, AND THE CATALAN TRADITION Luke Sunderland MARCABRU IN MOTION: “DIRE VOS VUOILL SES DUPTANSSA” IN CHANSONNIERS A AND C, AND IN MATFRE ERMENGAUD’S BREVIARI D'AMOR Wendy Pfeffer THE PASSION OF OCCITAN Virginie Greene SUITE PROVENÇALE FOR OCARINA, TRIANGLE, AND POWERPOINT Glossator publishes original commentaries, editions and translations of commentaries, and essays and articles relating to the theory and history of commentary, glossing, and marginalia. The journal aims to encourage the practice of commentary as a creative form of intellectual work and to provide a forum for dialogue and reflection on the past, present, and future of this ancient genre of writing. By aligning itself, not with any particular discipline, but with a particular mode of production, Glossator gives expression to the fact that praxis founds theory. GLOSSATOR.ORG
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