Inspired by a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South--until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects.
Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd A. Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jonathan Stuhlman is senior curator of American art at the Mint Museum in Charlotte, North Carolina.
Martha R. Severens was curator at the Greenville County Museum of Art in Greenville, South Carolina, from 1992 to 2010.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover with dustjacket, 254 pages; as new condition; except tiny piece of tape on inside front dj flap causes first blank page to stick; otherwise clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur SoStTh50
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hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. N° de réf. du vendeur M1469674084Z4
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : As new. Light blue-green DJ with white and black lettering; blue cloth over boards with orange metallic lettering; xv, 254 pp.; richly illustrated. "This book was published in conjunction with the exhibition Southern/Modern, organized by The Mint Museum, Charlotte, NC .; Georgia Museum of Art, Athens, GA, June 17-December 10, 2023, Frist Art Museum, Nashville, TN, January 25-April 21, 2024, Dixon Gallery and Gardens, Memphis, TN, July 14-September 29, 2024, The Mint Museum, Charlotte, NC, October 26, 2024-February 2, 2025"-- Title page verso. N° de réf. du vendeur 209472
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Light blue-green DJ with white and black lettering; blue cloth over boards with orange metallic lettering; xv, 254 pp.; richly illustrated. "This book was published in conjunction with the exhibition Southern/Modern, organized by The Mint Museum, Charlotte, NC .; Georgia Museum of Art, Athens, GA, June 17-December 10, 2023, Frist Art Museum, Nashville, TN, January 25-April 21, 2024, Dixon Gallery and Gardens, Memphis, TN, July 14-September 29, 2024, The Mint Museum, Charlotte, NC, October 26, 2024-February 2, 2025"-- Title page verso. VG (DJ is very lightly shelfworn; textblock edge has a smudge.). N° de réf. du vendeur 200332
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Vendeur : Birmingham Museum of Art, Birmingham, AL, Etats-Unis
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. Drawn from a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume catalogs works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South-until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects.Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz. N° de réf. du vendeur LU-9781469674087
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Etat : New. N° de réf. du vendeur I-9781469674087
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