This book sets Shakespeare in the religious context of his times, presenting a balanced, up-to-date account of current biographical and critical debates, and addressing the fascinating, under-studied topic of how Shakespeare's writing was perceived by literary contemporaries, whose priorities were more obviously religious than his own. It advances new readings of several plays, including Hamlet, King Lear and The Winter's Tale, and draws on under-exploited contemporary analogues, ranging from conversion narratives, books of devotion and polemical pamphlets to manuscript drama and emblems.
This study describes a writer whose language is saturated in religious discourse but whose invariable practice is to subordinate religious matter to the aesthetic demands of the work. For Shakespeare, as for few of his contemporaries, the Judaeo-Christian story is something less than a master narrative.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alison Shell is Professor of English at University College London. Formerly Professor of English at Durham, she now runs UCL English Department's MA in English: Shakespeare in History. She is an editor and critic, reviewing for the Times Literary Supplement, the Church Times and a number of academic journals. Principal works include: Catholicism, Controversy, and the English Literary Imagination, 1558-1660 (1999), Oral Culture and Catholicism in Early Modern England (2007), and Shakespeare And Religion (2011).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This book sets Shakespeare in the religious context of his times, presenting a balanced, up-to-date account of current biographical and critical debates, and addressing the fascinating, under-studied topic of how Shakespeare's writing was perceived by literary contemporaries, whose priorities were more obviously religious than his own. It advances new readings of several plays, including Hamlet, King Lear and The Winter's Tale, and draws on under-exploited contemporary analogues, ranging from conversion narratives, books of devotion and polemical pamphlets to manuscript drama and emblems. This study describes a writer whose language is saturated in religious discourse but whose invariable practice is to subordinate religious matter to the aesthetic demands of the work. For Shakespeare, as for few of his contemporaries, the Judaeo-Christian story is something less than a master narrative. N° de réf. du vendeur LU-9781472568175
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Paperback. Etat : new. Paperback. This book sets Shakespeare in the religious context of his times, presenting a balanced, up-to-date account of current biographical and critical debates, and addressing the fascinating, under-studied topic of how Shakespeare's writing was perceived by literary contemporaries, whose priorities were more obviously religious than his own. It advances new readings of several plays, including Hamlet, King Lear and The Winter's Tale, and draws on under-exploited contemporary analogues, ranging from conversion narratives, books of devotion and polemical pamphlets to manuscript drama and emblems. This study describes a writer whose language is saturated in religious discourse but whose invariable practice is to subordinate religious matter to the aesthetic demands of the work. For Shakespeare, as for few of his contemporaries, the Judaeo-Christian story is something less than a master narrative. This text sets Shakespeare in the religious context of his times, presenting an account of current biographical and critical debates, and addressing the topic of how Shakespeare's writing was perceived by literary contemporaries whose priorities were more obviously religious than his own. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781472568175
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