Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film - Couverture rigide

Schroeder, David

9781474291422: Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film

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ISBN 10 : 1474291422 ISBN 13 : 9781474291422

Editeur : Bloomsbury Academic, 2016

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This Bloomsbury Academic Collection consists of classic titles in film studies.

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� propos de l?auteur

David Schroeder holds a PhD from Cambridge University, and is Professor Emeritus at Dalhousie University, Canada. His books include Haydn and the Enlightenment (Oxford UP, 1990), Mozart in Revolt (Yale UP, 1999), Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film (Continuum, 2002/Bloomsbury, 2016), and Our Schubert: His Enduring Legacy (Scarecrow, 2008).

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�diteur: Bloomsbury Academic
Date d'�dition: 2016
Langue: anglais
ISBN 10: 1474291422
ISBN 13: 9781474291422
Reliure: Reli�
Nombre de pages: 400
Coordonn�es du fabricant: EDITIONS GALLIMARD
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Via Verdi, 8.
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Italie

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Cinema's Illusions, Opera's Allure

David Schroeder

Edit� par Bloomsbury Publishing (UK), 2016

ISBN 10 : 1474291422 ISBN 13 : 9781474291422

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Cinema's Illusions, Opera's Allure

David Schroeder

Edit� par Bloomsbury Publishing (UK), 2016

ISBN 10 : 1474291422 ISBN 13 : 9781474291422

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Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film (Film Studies: Bloomsbury Academic Collections)

Schroeder, David

Edit� par Bloomsbury Academic, 2016

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Cinema's Illusions, Opera's Allure

Schroeder, David

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ISBN 10 : 1474291422 ISBN 13 : 9781474291422

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Etat : New. Series: Film Studies: Bloomsbury Academic Collections. Num Pages: 400 pages, black & white illustrations. BIC Classification: APF; AVGC9. Category: (U) Tertiary Education (US: College). Dimension: 234 x 156 x 22. Weight in Grams: 710. . 2016. Hardback. . . . . N� de r�f. du vendeur V9781474291422

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Cinema's Illusions, Opera's Allure (Hardcover)

David Schroeder

Edit� par Bloomsbury Publishing PLC, London, 2016

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Hardcover. Etat : new. Hardcover. The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways some predictable, some unexpected, and some bizarre in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N� de r�f. du vendeur 9781474291422

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Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film (Film Studies: Bloomsbury Academic Collections)

Schroeder, David

Edit� par Bloomsbury Publishing, 2016

ISBN 10 : 1474291422 ISBN 13 : 9781474291422

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Cinema's Illusions, Opera's Allure (Hardcover)

David Schroeder

Edit� par Bloomsbury Publishing PLC, London, 2016

ISBN 10 : 1474291422 ISBN 13 : 9781474291422

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Vendeur : CitiRetail, Stevenage, Royaume-Uni

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Hardcover. Etat : new. Hardcover. The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways some predictable, some unexpected, and some bizarre in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N� de r�f. du vendeur 9781474291422

Contacter le vendeur