This book explores the threat of Christian conversion to Islam in twelve early modern English plays. This book explores the threat of Christian conversion to Islam in 12 early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic, as a fate worse than death and as a sexual seduction. Degenhardt examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture. In addition, she shows how England's encounter with Islam reanimated post Reformation debates about the embodiment of Christian faith. As Degenhardt compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals, and even the Knights of Malta.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jane Hwang Degenhardt is Assistant Professor of English at the University of Massachusetts, Amherst.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This book explores the specter of Christian conversion to Islam in twelve early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic - a fate worse than death as well as a sexual seduction. Degenhardt examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture. In addition, she shows how England's encounter with Islam reanimated post-Reformation debates about the embodiment of Christian faith. As Degenhardt compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals, and the practices of the Knights of Malta. Jane Hwang Degehardt is Associate Professor of English at the University of Massachusetts, Amherst. N° de réf. du vendeur LU-9781474402378
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Paperback. Etat : new. Paperback. This book explores the specter of Christian conversion to Islam in twelve early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic a fate worse than death as well as a sexual seduction. Degenhardt examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture. In addition, she shows how England's encounter with Islam reanimated post-Reformation debates about the embodiment of Christian faith. As Degenhardt compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals, and the practices of the Knights of Malta. Jane Hwang Degehardt is Associate Professor of English at the University of Massachusetts, Amherst. This book explores the threat of Christian conversion to Islam in twelve early modern English plays. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474402378
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Etat : New. Explores the threat of Christian conversion to Islam in modern English plays by Shakespeare, Marlowe, Massinger, and others. This book examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture. Num Pages: 272 pages, 20 b&w illustrations. BIC Classification: 2AB; DSBD; DSG. Category: (G) General (US: Trade). Dimension: 234 x 156 x 20. Weight in Grams: 476. . 2015. 1st Edition. Paperback. . . . . N° de réf. du vendeur V9781474402378
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