From Destination Tokyo (1943) to Youngblood Hawke (1964), among many other films, few filmmakers created as unique a body of work in the US as Delmer Daves (1904-1977), but few filmmakers have been as critically overlooked in existing scholarly literature. Daves is often regarded as an embodiment of the self-effacing craftsmanship of classical and post-war Hollywood, which helps explain his relative neglect by film critics and scholars. As the first study of Daves's career, this collection in the ReFocus series seeks to deepen our understanding of the filmmaker and problematize existing conceptions of him as a competent by conventional studio man. Part of the ReFocus: The American Directors Series, which aims to bring influential, yet neglected, American directors to the attention of a new audience of scholars and students.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Matthew Carter is Senior Lecturer in Film, Television, and Cultural Studies at Manchester Metropolitan University. Andrew Patrick Nelson is Assistant Professor of Film at Montana State University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 58151866-20
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. From Destination Tokyo (1943) to The Battle of the Villa Fiorita (1965), Delmer Daves was responsible for a unique body of work, but few filmmakers have been as critically overlooked in existing scholarly literature. Often regarded as an embodiment of the self-effacing craftsmanship of classical and post-War Hollywood, films such as Broken Arrow (1950) and 3:10 to Yuma (1957) reveal a filmmaker concerned with style as much as sociocultural significance. As the first comprehensive study of Daves's career, this collection of essays seeks to deepen our understanding of his work, and also to problematize existing conceptions of him as a competent, conventional and even naïve studio man. N° de réf. du vendeur LU-9781474403016
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. As the first comprehensive study of Daves s career, this collection of essays seeks to deepen our understanding of his work, and also to problematize existing conceptions of him as a competent, conventional and even naive studio man.Klappentext. N° de réf. du vendeur 70264422
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 1st edition. 240 pages. 9.50x6.50x1.00 inches. In Stock. N° de réf. du vendeur x-1474403018
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Vendeur : Rarewaves USA United, HEBRON, KY, Etats-Unis
Hardback. Etat : New. From Destination Tokyo (1943) to The Battle of the Villa Fiorita (1965), Delmer Daves was responsible for a unique body of work, but few filmmakers have been as critically overlooked in existing scholarly literature. Often regarded as an embodiment of the self-effacing craftsmanship of classical and post-War Hollywood, films such as Broken Arrow (1950) and 3:10 to Yuma (1957) reveal a filmmaker concerned with style as much as sociocultural significance. As the first comprehensive study of Daves's career, this collection of essays seeks to deepen our understanding of his work, and also to problematize existing conceptions of him as a competent, conventional and even naïve studio man. N° de réf. du vendeur LU-9781474403016
Quantité disponible : Plus de 20 disponibles