Digital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.
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Gabriele Griffin is Professor of Women's Studies at the University of York, UK. She has a long-standing research interest in research methods for the Humanities, and in women's cultural production. Recent publications include The Emotional Politics of Research Collaboration (co-ed.; Routledge 2013) and The Social Politics of Research Collaboration (co-ed.; Routledge 2013). She is editor of the 'Research Methods for the Arts and Humanities' series (Edinburgh UP).Matt Hayler is a Lecturer in post-1980s Literature at the University of Birmingham specializing in Digital and Cyberculture Studies, specifically (post)phenomenology and Cognitive Science influenced approaches to e-reading and to technology more broadly. Recent publications include Challenging the Phenomena of Technology (Palgrave 2015) and chapters on technology and the digital humanities in forthcoming volumes on Futures for English Studies (Palgrave 2016, co-written with Marilyn Deegan) and Theatre Performance and Cognition (Methuen 2016).
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Paperback. Etat : New. The first volume to introduce the techniques and methods of reading digital material for researchDigital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.Key featuresFirst volume centred on the navigation and interpretation of digital material as research methods in the HumanitiesUp-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additionsBased on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings. N° de réf. du vendeur LU-9781474409612
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Paperback. Etat : new. Paperback. The first volume to introduce the techniques and methods of reading digital material for researchDigital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.Key featuresFirst volume centred on the navigation and interpretation of digital material as research methods in the HumanitiesUp-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additionsBased on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings The first volume centred on the navigation and interpretation of digital material as research methods in the Humanities Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474409612
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Etat : New. Editor(s): Griffin, Professor Gabriele (University of York, UK University of Hull, UK University of York, UK University of York, UK University of York, UK University of Hull, UK University of York University of Hull, UK University of Hull, UK University of Hull, UK University of York); Hayler, Lecturer Matt (University of Birmingham). Series: Research Methods for the Arts and Humanities Eup. Num Pages: 256 pages. BIC Classification: 1DBK; DSB; DSR; GBC; GPS. Category: (G) General (US: Trade). . . 2016. 1st Edition. Paperback. . . . . N° de réf. du vendeur V9781474409612
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